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Hidden Horrors

Hidden Horrors

Current Version: May 2020 (6th edition)

The 1,000 Greatest Horror Films: Introduction | #1-#100 | #101-#200 | #201-#300 | #301-#400 | #401-#500 | #501-#600 | #601-#700 | #701-#800 | #801-#900 | #901-#1000 | Full List | Sources | The 21st Century’s Most Acclaimed Horror Films | Top 50 Directors

This is an extra little feature to highlight some of the lesser seen films that have been nominated. I’ve excluded films with more than 1000 IMDb votes. The ranking is the same as on the full ranked list, but also excludes films with less than 3 nominations. This list can also be found on iCheckMovies and IMDb. (still in the process of gathering reviews for this page)

Der Student von Prag

1. (+4) Der Student von Prag

Henrik Galeen

1926 / Germany / 110m / BW / Drama | IMDb
Conrad Veidt, Elizza La Porta, Fritz Alberti, Agnes Esterhazy, Ferdinand von Alten, Werner Krauss, Erich Kober, Max Maximilian

“Superior [to the 1913] version, thanks to some moody direction by Henrik Galeen (who was involved in either a writing or directorial capacities in an astonishing number of German horror movies, such as both versions of THE GOLEM, WAXWORKS, ALRAUNE and NOSFERATU) and a fine, powerful performance from Conrad Veidt, who may actually have been the finest horror actor of the silents and is here reunited with his CABINET OF DR. CALIGARI co-star Werner Krauss… there’s a real power in the growing horror of the story, and the final sequences in which Veidt is stalked by himself are absolutely chilling. In a sense, there’s no other horror movie out there quite like this one” – Dave Sindelar, Fantastic Movie Musings and Ramblings


2. (+10) J’accuse!

Abel Gance

1938 / France / 104m / BW / War | IMDb
Victor Francen, Line Noro, Marie Lou, Jean-Max, Paul Amiot, Jean-Louis Barrault, Marcel Delaître, Renée Devillers, Romuald Joubé, André Nox

“This is a powerful film that leaves quite an impression. Gance told the French government that the film could be used as a recruiting tool, so they allowed him to film at the front (he captured part of the Battle of St. Mihiel) and the footage was used in the movie. He was also able to use soldiers on leave as extras in the climactic scene where the dead come back to life. Most of the men used in this scene were in the army and were tragically killed weeks later. Still, they had seen battle in the trenches of France and you can tell by the looks on their faces that they weren’t acting so much as reacting to what they had experienced.” – John Sinnott, DVD Talk

El vampiro

3. (+12) El vampiro

Fernando Méndez

1957 / Mexico / 95m / BW / Vampire | IMDb
Abel Salazar, Ariadna Welter, Carmen Montejo, José Luis Jiménez, Mercedes Soler, Alicia Montoya, José Chávez, Julio Daneri, Amado Zumaya, Germán Robles

“The movie is enveloped in an all pervading atmosphere of gothic fantasy: cobwebs glisten in artificial moonlight and luminescent mist enshrouds the dilapidated hacienda which is ensconced in permanent shadows. The film has a surprisingly expensive look to it. Although the turn toward horror and fantasy in fifties Mexican cinema was largely inspired by the decline of the industry, the superior production values of it’s heyday in the forties are still very much in evidence in “El Vampiro”. The film is loaded with exceptional moments of directorial brilliance and great imagination – and the camera often moves with a Bava or Argento-like mind of it’s own.” – Blackgloves, Horrorview

Le viol du vampire

4. (+14) Le viol du vampire

Jean Rollin

1968 / France / 95m / Col / Vampire | IMDb
Solange Pradel, Bernard Letrou, Ariane Sapriel, Eric Yan, Jacqueline Sieger, Catherine Deville, Ursule Pauly, Nicole Romain, Marquis Polho, Don Burhans

“The film is not really about anything, it is a series of abstract images, vaguely strung together with vampiric imagery that isn’t of the traditional stripe. This film is about atmosphere, more than perhaps any other film I’ve ever seen. It is incomparable in style and in substance, and yet feels quite at home in his filmography… Jean Rollin was a filmmaker for whom his work became an extension of himself. His films are all somewhat similar because he shot what he knew and what he felt. The chaos of late ’60s France made a huge impression on Rollin, and the abstract nature of The Rape of the Vampire reflects this chaos and puts it to the screen in a unique way that marries violence with eroticism in the very French tradition of the Grand Guignol.” – Charlie Hobbs, ScreenAnarchy

Miss Muerte

5. (+19) Miss Muerte

Jesús Franco

1966 / Spain / 86m / BW / Science Fiction | IMDb
Estella Blain, Mabel Karr, Howard Vernon, Fernando Montes, Marcelo Arroita-Jáuregui, Cris Huerta, Alberto Bourbón, Lucía Prado, Guy Mairesse

“Many viewers will be coerced into pinching themselves to remember this is a Franco film. Beautifully shot in stunning black-and-white, Franco beautifully composes each shot into a tableau of light and shadow, creating an eerie atmosphere throughout the feature. This is a stunningly beautiful film, filled with luscious outdoor sequences and great suspense setpieces (the capture of Nadia in an abandoned theater is one of Franco’s best)… As with many Franco films, jazz is an important element. Not only is the film’s soundtrack made up primarily of catchy little jazz ditties and horn-driven melodies, the film’s climax is an experimental jazz piece laid onto film: frenetic, wild, and outrageous.” – Casey Scott, DVD Drive-In

La vergine di Norimberga

6. (+13) La vergine di Norimberga

Antonio Margheriti

1963 / Italy / 84m / Col / Gothic | IMDb
Rossana Podestà, Georges Rivière, Christopher Lee, Jim Dolen, Anny Degli Uberti, Luigi Severini, Luciana Milone, Lucile Saint-Simon, Patrick Walton, Consalvo Dell’Arti

“Directed with a knowing hand by Antonio Margheriti, La Vergine di Norimberga is undoubtedly among the filmmaker’s finest work. This delirious dreamscape to the Cinema of Sadism is infused with gothic atmosphere and a ubiquitous sense of dread from start to finish. Along with the best works of Mario Bava and Riccardo Freda, La Vergine di Norimberga epitomises and legitimises the stellar reputation of Italy’s “Golden Age” of horror output in the 1960s. An under-appreciated classic, it is also a high watermark for genre films concerned with thematising Nazi atrocities.” – Christopher Dietrich, KinoEye

Misterios de ultratumba

7. (+20) Misterios de ultratumba

Fernando Méndez

1959 / Mexico / 82m / BW / Supernatural | IMDb
Gastón Santos, Rafael Bertrand, Mapita Cortés, Carlos Ancira, Carolina Barret, Luis Aragón, Beatriz Aguirre, Antonio Raxel, J. Portillo, Abel Salazar

“Mexican director Fernando Méndez crafts astoundingly atmospheric visuals and writer Ramón Obón spins a dizzyingly suspenseful story, both creating an unforgettable film with The Black Pit of Dr. M. The visuals of the long halls of the arcane mental hospital, the dense fog, the Doctor’s villa and the dark shadows will strike you first. There are certain shots that are framed to perfection, including one scene that features the starkly back-lit gallows, which rival any of the classic Universal horror films for their gothic mystique. Secondly, you will notice that the story of intrigue builds upon itself and never leaves a dull moment. Not only that, but time is adequately taken to properly develop the characters as the story unfolds. While the gorgeously gothic visuals help grab your attention and establish the dark mood of the film, it’s the compounding storyline that keeps building that really sets this masterpiece apart.” – Sarah E. Jahier, Fatally Yours’ Horror Reviews


8. (+17) Zibahkhana

Omar Khan

2007 / Pakistan / 77m / Col / Slasher | IMDb
Kunwar Ali Roshan, Rooshanie Ejaz, Rubya Chaudhry, Haider Raza, Osman Khalid Butt, Rehan, Najma Malik, Sultan Billa, Salim Meraj, Razia Malik

““Hell’s Ground” is being touted as ‘Pakistan’s first gore’ movie, and while it certainly offers more blood and guts than the original “Saw,” it is still relatively tame by Herschel Gordon Lewis standards or the recent American remake. It is surprisingly effective, with the cultural perspective adding spice to the mix (the well to do teens speak English, for example, until adrenaline reduces them to their native tongue; Baby’s mother is ostensibly seeking a wife for her son). In addition to the “Saw” like shot compositions, Khan uses plenty of visual and aural Lollywood references and even a few animated asides. The acting is above average for the genre, with Baby a unique treat.” – Laura Clifford, Reeling Reviews

The Man Who Changed His Mind

9. (+1) The Man Who Changed His Mind

Robert Stevenson

1936 / UK / 66m / BW / Science Fiction | IMDb
Boris Karloff, John Loder, Anna Lee, Frank Cellier, Donald Calthrop, Cecil Parker, Lyn Harding

““The Man Who Changed His Mind” is perhaps one of the most intense horror films from the 1930s that I’ve come across. From the first time Boris Karloff’s chain-smoking mad scientist crosses paths with Anna Lee’s brilliant and independent-minded surgeon, you know things are going to end badly for more than one of the film’s characters. But even with that knowledge, you’re not going to guess how badly and for whom until the story is all but done unfolding. Even after nearly 75 years, this is a horror film that countless modern-day filmmakers need to study and emulate’ their films would be far better for it.” – Steve Miller, Shades of Gray

House of Mortal Sin

10. (+21) House of Mortal Sin

Pete Walker

1976 / UK / 104m / Col / Thriller | IMDb
Anthony Sharp, Susan Penhaligon, Stephanie Beacham, Norman Eshley, Sheila Keith, Hilda Barry, Stewart Bevan, Julia McCarthy, John Yule, Bill Kerr

“Directed by horror auteur Pete Walker, you can almost smell the 1970′s emanating from the screen, a musty smell of cigarette smoke, cheap perfume and Silvikrin hairspray. Walker was known for his more subversive take on British horror which was a few steps ahead of the gothic Hammer ouvre in the way he commented on religion, politics and censorship of the arts. Susan Penhaligon makes a stunningly sexy heroine with her blend of seventies naivety and easy sexuality and plays well opposite an excellent Anthony Sharp as the sexually frustrated priest… On the whole, this is not one of Pete Walker’s best but has enough interesting qualities to make it a worthwhile option for a late-night movie screening.” – Richard Gladman, Classic Horror Campaign

El espejo de la bruja

11. (+17) El espejo de la bruja

Chano Urueta

1962 / Mexico / 75m / Col / Witchcraft | IMDb
Rosa Arenas, Armando Calvo, Isabela Corona, Dina de Marco, Carlos Nieto, Alfredo Wally Barrón

“The general mood and the visual style of “The Witch’s Mirror” is probably influenced by the old Universal horror-films and legendary tales by the ones like Edgar Allan Poe, and its gothic-mood has many similarities to the films by Mario Bava from the same era. The very imaginative and clever visual tricks in the film are not necessarily that hard to achieve and are occasionally dated, but they do work very well for the movie and for the black & white cinematography. Flowers are withered for no reason, the piano is playing the favourite tune of the late Elena by itself, the wind is blowing and the mood is restless and spooky. Some optical tricks (like superimposing) are surprisingly good, and filmmakers have used their best imagination to create the illusion with the mirror, the essential object in the film. The movie has almost as much fantasy elements as it has horror, and together they create a pretty effective little flick.” – Jari Kovalainen, DVD Compare

La maldición de la Llorona

12. (+22) La maldición de la Llorona

Rafael Baledón

1963 / Mexico / 80m / Col / Supernatural | IMDb
Rosa Arenas, Abel Salazar, Rita Macedo, Carlos López Moctezuma, Enrique Lucero, Mario Sevilla, Julissa, Roy Fletcher, Arturo Corona

“The film lasts a mere eighty minutes and, with the possible exception of a fight scene between two men that feels more at home in one of the popular lucha libre films of the time, not a moment is wasted. Though there is nothing original at all about it (in addition to its murderous title character, it has a crippled manservant and a madman in the attic), the film is so tightly constructed, the narrative moved along so propulsively, and the experience of watching it so consistently and thrillingly strange, that it rises above the also-rans to become a minor classic of its genre.” – Matt Bailey, Not Coming to a Theater Near You

Muñecos infernales

13. (+121) Muñecos infernales

Benito Alazraki

1961 / Mexico / 81m / BW / Mystery | IMDb
Elvira Quintana, Ramón Gay, Roberto G. Rivera, Quintín Bulnes, Nora Veryán, Luis Aragón, Alfonso Arnold, Jorge Mondragón, Salvador Lozano, Margarita Villegas

“The diminutive death-dealers carve an astonishingly creepy presence here; and are among the most unforgettable of the Mexi-horror canon. Played by either midgets or small children, the performers all wear what look like wax masks. These facial appliances never move when they breathe, so there’s a realism that adds to the eeriness of these calculating doll monsters creeping towards their victims with poisonous needles ready to pierce your flesh… Aside from some goofy moments here and there, Alazraki’s picture does a surprisingly good job of building suspense; and delivering frighteningly spooky creatures in the form of the macabre countenance of the killer dolls. If you haven’t seen it, fans of the genre are in for a treat” – Brian Bankston, Cool Ass Cinema

A Night to Dismember

14. (+28) A Night to Dismember

Doris Wishman

1983 / USA / 69m / Col / Slasher | IMDb
Samantha Fox, Diane Cummins, Saul Meth, Miriam Meth, William Szarka, Chris Smith, Dee Cummins, Larry Hunter, Mary Lomay, Rita Rogers

“What would you do if you had a completed film “in the can,” so to speak, but a disgruntled lab worker at the processing facility where it was being developed set fire to the place and destroyed 40% of your movie, leaving you with just over an hour of usable footage, all from various unrelated segments of your flick?… Well, that’s what happened to B-movie auteur Doris Wishman in 1982… I’m not going to claim that Wishman accidentally found greatness with the end product here, that dire circumstances proved to be an act of serendipity that resulted in an unheralded horror masterpiece. There’s a reason A Night to Dismember isn’t regarded as a slasher classic — it’s just not very good. But it certainly should be seen by any true B-movie aficionado. The fact that it even exists is a testament to Doris Wishman’s sheer determination and/or desperation — probably both.” – Ryan C., Trash Film Guru

Cult of the Cobra

15. (+18) Cult of the Cobra

Francis D. Lyon

1955 / USA / 82m / BW / Supernatural | IMDb
Faith Domergue, Richard Long, Marshall Thompson, Kathleen Hughes, William Reynolds, Jack Kelly, Myrna Hansen, David Janssen, Leonard Strong, James Dobson

“There’s something extremely haunting about this story of a group of young American soldiers who have survived the horrors of war and yet, when the clouds of strife are lifted, find themselves stalked and cut-down on home turf by a mysterious, evil and (naturally) foreign killer… The cast and the vaguely derivative (but compelling) screenplay work overtime. Russell Metty, the cinematographer, especially delivers the goods. Metty, who shot most of Douglas Sirk’s great melodramas and, lest we forget, Orson Welles’s “Touch Of Evil”, contributes marvelous lighting and some really effective cobra point of view shots.” – Greg Klymkiw, Daily Film Dose

El libro de piedra

16. (+101) El libro de piedra

Carlos Enrique Taboada

1969 / Mexico / 99m / Col / Thriller | IMDb
Marga López, Joaquín Cordero, Norma Lazareno, Aldo Monti, Lucy Buj, Rafael Llamas, Ada Carrasco, Lilia Castillo, Manuel Dondé, Jorge Mateos

“The Book of Stone carries the echoes of an MR James story with its premise of ancient evil and suggested rather than depicted horror… Bit by bit the story unravels, piling on one little disturbing incident after another, till it places itself firmly in the realm of the supernatural. [The statue] ‘Hugo’ is revealed to have a sinister history and will resist all attempts made to uproot him from his pedestal. Even here, there is far more reliance on the play of light and shadow (cinematographer Ignacio Torres), and juxtaposition of circumstance than any elaborate flashy effect.” – Suresh S, Un-kvlt Site


17. (new) Entrance

Dallas Richard Hallam & Patrick Horvath

2012 / USA / 83m / Col / Slasher | IMDb
Suziey Block, Karen Baird, Farley Burge, Karen Gorham, Joshua Grote, Florence Hartigan, Bennett Jones, Liesel Kopp, Jonathan Margolis, Patrick McPheron

“Common criticisms call [this] quiet thriller “boring,” label it as meaningless “mumblegore,” or lament that “nothing happens” for the first hour. None of those observations are necessarily inaccurate, though they reductively dismiss the mood directors Dallas Hallam and Patrick Horvath manufacture by teasing all of those terms… Even detractors laud the film’s finale, with some saying to skip straight to the slashing while running right past an uneventfully long lead-in. The reality is, the single take terror of those last twenty minutes packs its punch precisely because the buildup of vague danger boils almost imperceptibly beneath rope-a-dope monotony… it is a small-scale “slice of life” slow burner wringing oppressive dread out of an ordinary existence.” – Ian Sedensky, Culture Crypt

La horripilante bestia humana

18. (+8) La horripilante bestia humana

René Cardona

1969 / Mexico / 81m / Col / Splatter | IMDb
José Elías Moreno, Carlos López Moctezuma, Armando Silvestre, Norma Lazareno, Agustín Martínez Solares, Javier Rizo, Gerardo Zepeda, Noelia Noel, Gina Morett

“In the traditional sense of the word, “Apes” isn’t a very good movie… However, as a slice of cinematic trash, the thing succeeds. The gore and nudity, whilst crudely done, has a certain low rent charm, as does the poor dubbing. It also thankfully moves at a pretty reasonable pace, rarely if ever slowing down and more often then not adding in something to keep your interest. The influence it takes from low rent horror from the 40’s and 50’s is also noticeable, as apart from the aforementioned exploitable elements, has a naive sense of unpretentious fun. Really, that’s the best way to describe this movie” – Joseph Howell, Talk of Horrors


19. (+68) Organ

Kei Fujiwara

1996 / Japan / 110m / Col / Body Horror | IMDb
Kei Fujiwara, Kimihiko Hasegawa, Natsuyo Kanahama, Kenji Nasa, Ryu Okubo, Tojima Shozo, Shun Sugata

La orgía de los muertos

20. (+21) La orgía de los muertos

José Luis Merino

1973 / Spain / 91m / Col / Zombie | IMDb
Stelvio Rosi, Maria Pia Conte, Dyanik Zurakowska, Pasquale Basile, Gérard Tichy, Aurora de Alba, Eleonora Vargas, José Cárdenas, Giuliana Garavaglia, Carla Mancini

“Anyone wanting an introduction to seventies Euro-horror could do a lot worse than Orgy Of The Dead, which manages to encapsulate almost all of the themes that dominated that very strange sub-genre of film. Set in an unidentified 19th century European village, the action features some highly suspect aristocrats, much running around in secret passages, sex, violence, and lots and lots of highly exploitable elements that ultimately prove to have little if anything to do with the plot. First and foremost amongst these is Mr Euro-Horror himself, Paul Naschy, aka Jacinto Molina, stepping away from his endless portrayals of werewolves to play Igor the necrophiliac.” – Liz Kingsley, And You Call Yourself a Scientist!

Play for Today: Robin Redbreast

21. (new) Play for Today: Robin Redbreast

James MacTaggart

1970 / UK / 76m / Col / Thriller | IMDb
Anna Cropper, Amanda Walker, Julian Holloway, Freda Bamford, Bernard Hepton, Andy Bradford, Cyril Cross, Robin Wentworth

“Robin Redbreast is a damnably chilling affair. Norah is an intriguing character, one who plays against type and smashes taboos with almost every action. From pre-marital sex, to smoking when pregnant, she portrays the anguished femininity of a post hippie fallout. Cropper is remarkable; strong and confident, yet vulnerable and helpless at the same time. Much in the same way as The Wicker Man is an elaborate game, littered with clues; Robin Redbreast is equally filled with oblique moments of partial exposition. Norah is provided with several sly nods as to what the residents have in store for her, but she misses almost every one.” – Colin McCracken, Diabolique Magazine

The Carpenter

22. (new) The Carpenter

David Wellington

1988 / Canada / 89m / Col / Thriller | IMDb
Wings Hauser, Lynne Adams, Pierre Lenoir, Barbara Jones, Louise-Marie Mennier, Johnny Cuthbert, Robert Austern, Anthony Ulc, Bob Pot, Richard Jutras

Gou yeung yi sang

23. (+22) Gou yeung yi sang

Danny Lee & Hin Sing ‘Billy’ Tang

1992 / Hong Kong / 89m / Col / Thriller | IMDb
Danny Lee, Simon Yam, Kent Cheng, Pik Yu Chung, Si Man Hui, Eric Kei, Emily Kwan, Hoi-Shan Lai, King-Kong Lam, Siu-Ming Lau

“The direction is assured, the photography quite stylish, and the performances, for the most part, are pretty solid (Simon Yam Tat-wah’s edgy portrayal of Lam is delirious – equally terrifying and hilarious), so why am I so hesitant to recommend Dr. Lamb? For starters, its taboo combination of graphic sex and violence is sure to upset all but the most jaded of viewers, and its inclusion of campy humor into the grisly proceedings will most likely alienate the arthouse crowd who embraced the not entirely dissimilar Henry: Portrait of a Serial Killer. Ultimately, it’s the exploitation crowd who will flock to Dr. Lamb, and they won’t be disappointed, for it does deliver a number of jolting, effective, and totally outrageous set pieces” – Joey O’Bryan, Austin Chronicle

El retorno del Hombre-Lobo

24. (+13) El retorno del Hombre-Lobo

Paul Naschy

1981 / Spain / 92m / Col / Werewolf | IMDb
Paul Naschy, Julia Saly, Silvia Aguilar, Azucena Hernández, Beatriz Elorrieta, Rafael Hernández, Pepe Ruiz, Ricardo Palacios, Tito García, David Rocha

“Visually the film is a real treat. Pulling triple duties and directing his werewolf for the first time, Naschy bathes the film with gorgeous lighting and visual effects that really help to drench the production in a gothic atmosphere to the extent of the very best of Mario Bava and Terence Fisher… more than just a tribute to the classic gothic horror films of the 1960s and 70s, it is a genuine competitor with them – Naschy fills the film with some amazing imagery and atmosphere that has rarely been matched. While the script lifts many ideas from Werewolf Shadow, it is different enough to be interesting and more successful than some of the other “original” horror films on which he worked.” – Timothy Young, Mondo Esoterica

Death Weekend

25. (+22) Death Weekend

William Fruet

1976 / Canada / 87m / Col / Rape and Revenge | IMDb
Brenda Vaccaro, Don Stroud, Chuck Shamata, Richard Ayres, Kyle Edwards, Don Granberry, Ed McNamara, Michael Kirby, Richard Donat, Denver Mattson

“Death Weekend is a solid home invasion movie that utilizes all the classic tropes and falls into all the same traps that you’ve come to know and love. Home invasion movies always seem to have opportunities where the hostages can just, I don’t know, make a phone call, perhaps to the local authorities. But then I guess there’d be no movie… Still, director William Fruet (and producer Ivan Reitman!) created something entertaining and fun, albeit with just a minimal amount of sleaze. It doesn’t have any big surprises or twists, but a guy does get lit on fire. That’s always a good time.” – Annie Choi, Bleeding Skull

The Child

26. (new) The Child

Robert Voskanian

1977 / USA / 82m / Col / Zombie | IMDb
Laurel Barnett, Rosalie Cole, Frank Janson, Richard Hanners, Ruth Ballan, Slosson Bing Jong, Rod Medigovich, Wendell Hudiburg, Chris Tieken, Ralph Lucas

“The movie is a peculiar combination of horror themes, a mash-up of many styles and ideas. What starts looking like a standard supernaturally possessed child film evolves into a non-traditional zombie film… Director Robert Voskanian’s and writer Ralph Lucas’ portfolios are much thinner than that of executive producer Novak and this could be the reason for the strange direction the story takes and some of the apparent filmmaking anomalies seemingly intentionally present in this movie. These quirks are what make the film stand out and enrich it with an element of quaint rather than having detrimental repercussions.” – Pazuzu Iscariot, Horror Extreme

Horror Noire: A History of Black Horror

27. (new) Horror Noire: A History of Black Horror

Xavier Burgin

2019 / USA / 83m / Col / Documentary | IMDb
Meosha Bean, Ashlee Blackwell, William Crain, Rusty Cundieff, Keith David, Loretta Devine, Tananarive Due, Ken Foree, Richard Lawson, Tina Mabry

The Burning Moon

28. (+21) The Burning Moon

Olaf Ittenbach

1992 / Germany / 86m / Col / Splatter | IMDb
Beate Neumeyer, Bernd Muggenthaler, Ellen Fischer, Alfons Sigllechner, Barbara Woderschek, Helmut Neumeyer, Andrea Arbter, Herbert Holzapfel, Thomas Deby, Karl-Heinz Nebbe

“There are moments in The Burning Moon (such as when you watch a man get ruthlessly bludgeoned to death) that convince you that you’re watching pure misanthropy committed to VHS tape. Moments like this (and there are hordes of others) are responsible for giving Olaf Ittenbach’s shot-on-video opus its infamous, blood-caked reputation; that it comes from Germany–home to other such nefarious, snuffy fare such as Nekromantik–only shades its reputation even more. However, other moments (such as a lunatic’s fantasy about frolicking through fields with a dog) feel like such calculated, absurd brilliance that you can’t help but somehow be entertained by a movie that often makes you question how much of the production budget was dedicated to fuelling its director’s coke habit.” – Brett Gallman, Oh, the Horror!

Aphex Twin: Come to Daddy

29. (new) Aphex Twin: Come to Daddy

Chris Cunningham

1997 / UK / 6m / Col / Music Video | IMDb
Aphex Twin, Al Stokes

Murders in the Zoo

30. (-28) Murders in the Zoo

A. Edward Sutherland

1933 / USA / 62m / BW / Crime | IMDb
Charles Ruggles, Lionel Atwill, Gail Patrick, Randolph Scott, John Lodge, Kathleen Burke, Harry Beresford

“Murders in the Zoo is by no means a flawless horror-comedy film, bumping around between two tones with impunity and with nowhere near the grace or atmosphere as the amiable Doctor X from a few reviews back. However, Atwill and Burke make the movie’s moments of horror truly memorable set pieces and demonstrate how true human predators can operate outside cages. The rest, thankfully, will fade.” – Danny Reid, Pre-Code

House of Horrors

31. (-27) House of Horrors

Jean Yarbrough

1946 / USA / 65m / BW / Thriller | IMDb
Rondo Hatton, Robert Lowery, Virginia Grey, Bill Goodwin, Martin Kosleck, Alan Napier, Howard Freeman, Virginia Christine, Joan Shawlee

“A distinctly minor film, but in a bargain-basement way it toys with some interesting themes: the root causes of victimhood, the nature of power, and the price of outsourcing your dirty work to somebody else… Kosleck doesn’t disappoint in this film; as always his soft, accented voice works as a perfect counterpoint to his razor-sharp gaze, which can convey anger or madness — or both. Rondo Hatton doesn’t get top billing either, but this movie was designed as a vehicle for him and his peculiar physiognomy. Hatton suffered from a glandular condition called acromegaly, the symptoms of which weren’t apparent until he was well into adulthood. The condition gradually altered the shape of his head and distorted his body and facial features, giving him a coarse, brutal appearance.” – Michael Popham, The Horror Incorporated Project


32. (+16) Raat

Ram Gopal Varma

1992 / India / 127m / Col / Supernatural | IMDb
Revathy, Rohini Hattangadi, Om Puri, Anant Nag, Sushant, Jaya Mathur, Master Atit, Tej Sapru, C.V.L., Nirmalamma

“Chances are you haven’t heard of Raat or seen it in your video stores. Whatever the case may be, this indianized version of “The Exorcist” is a slick, well-acted horror flick, a genre you don´t get to see very much in India… The film is reminiscent of many films like Kaun, Aks and even English films like Stir of Echoes and The Sixth Sense… Raat may not be flawless but has enough style, performance power and tight directed sequences for one not to forget. The deadly camerawork and background music make it a must own for fans of the genre and those that have followed up on Ram Gopal Varma’s works.” – Akshay Shah, Planet Bollywood

Ye ban ge sheng

33. (+20) Ye ban ge sheng

Weibang Ma-Xu

1937 / China / 113m / BW / Drama | IMDb
Menghe Gu, Ping Hu, Shan Jin, Chau-shui Yee, Wenzhu Zhou

“Besides having a great story, Song at Midnight is also a visual treat. Ma-Xu was a not only a fan of Tod Browning’s Universal monster films, he was also an admirer of German universal_style_thumbexpressionism, most notably the works of Fritz Lang and Robert Wiene. Ma-Xu put together a film heavy with gothic atmosphere and haunting images. Ma-Xu sets the mood from the very beginning, by introducing the audience to the cobweb infested theater at night, and having a mysterious man lurking in the shadows. From that point on the scene is set and what follows truly comes from an artistic mind.” – Kimberly J.M. Wilson, 1001 Movies You Must See Before You Die


34. (-31) Macabre

William Castle

1958 / USA / 72m / BW / Thriller | IMDb
William Prince, Jim Backus, Christine White, Jacqueline Scott, Susan Morrow, Philip Tonge, Jonathan Kidd, Dorothy Morris, Howard Hoffman, Ellen Corby

“Macabre is deservedly well known for its audacious advertising campaign (the old insurance policy if you die of fright slant)… At heart, Macabre is much more of a suspenser — albeit not one that’s as nail-biting as it wants to be… Still, Macabre has a few good setpieces that, through surprise and shock, do manage to produce a decent number of chills. Castle’s direction is competent, but not inspired enough; he benefits from fine assistance from cinematographer Carl Guthrie. While not as good as one wants it to be, Macabre has enough high points to make it worth a look.” – Craig Butler, AllMovie

Voodoo Man

35. (-18) Voodoo Man

William Beaudine

1944 / USA / 62m / BW / Supernatural | IMDb
Bela Lugosi, John Carradine, George Zucco, Wanda McKay, Louise Currie, Tod Andrews, Ellen Hall, Terry Walker, Mary Currier, Claire James

“With Voodoo Man audiences get a glimpse of what the meta-minded future would hold for fans of horror. It’s tongue-in-cheek to be sure, but the thrills are there throughout. Most of the horror; however, is undercut by the humorous antics and comments of the cops who, ultimately, bring about the end of Voodoo Man’s reign… But pay no mind to them. The real focus of Voodoo Man is Lugosi who, in 1944, was churning out some pretty strong performances. The Hungarian-American actor, famous for his performance in the original 1931 version of Dracula, struggled to find his way through the shadowed corners of his career… His role in Voodoo Man might not have helped any of his struggles BUT, as a low grade thriller, his contribution to the thriller does enough to make it worthy of 60-minutes of your time.” – Loron Hays, Reel Reviews

The Bat

36. (+31) The Bat

Roland West

1926 / USA / 86m / BW / Mystery | IMDb
George Beranger, Charles Herzinger, Emily Fitzroy, Louise Fazenda, Arthur Housman, Robert McKim, Jack Pickford, Jewel Carmen, Sôjin Kamiyama, Tullio Carminati

“[Director] West is most often brought up today as a possible culprit in the suspicious 1935 death of Thelma Todd. However, in the twenties, he was considered a top director who could fill a theater. The Bat is the movie that made that reputation and it is also considered the prototype for Old Dark House movies… What West did was bring in the atmospheric shadows and sets of the stylish German cinema and combine them with the chills and humor. I should note that West claimed sole credit for these German touches, declaring that he was making this sort of thing before [the Ufa production company] ever existed. I find that less than believable, to say the least… It’s worth seeing for its historical importance and to enjoy the antics of Emily Fitzroy, Louise Fazenda and Arthur Housman.” – Fritzi Kramer, Movies Silently

Bowery at Midnight

37. (+27) Bowery at Midnight

Wallace Fox

1942 / USA / 61m / BW / Thriller | IMDb
Bela Lugosi, John Archer, Wanda McKay, Tom Neal, Vince Barnett, Anna Hope, John Berkes, J. Farrell MacDonald, Dave O’Brien, Lucille Vance

The Fall of the House of Usher

38. (+18) The Fall of the House of Usher

Ivan Barnett

1949 / UK / 70m / BW / Psychological | IMDb
Gwen Watford, Kay Tendeter, Irving Steen, Vernon Charles, Connie Goodwin, Gavin Lee, Keith Lorraine, Lucy Pavey, Tony Powell-Bristow, Robert Wolard

“Here’s an obscure Edgar Allan Poe adaptation from England that was made more than a decade before the more famous Roger Corman production. Fans of Poe may be a bit divided on it as it’s not really faithful to the source material. And while it’s not exactly good or anything, it’s an interesting enough curio piece that at least has a handful of atmospheric moments… The opening sequence where a bunch of old men sit around telling each other spooky tales is pretty cool though. (It was probably the inspiration for Ghost Story.) But other than that, The Fall of the House of Usher is only worth a look if you absolutely HAVE to see every Poe movie ever made.” – Mitch Lovell, The Video Vacuum


39. (+7) Mahal

Kamal Amrohi

1949 / India / 165m / BW / Supernatural | IMDb
Ashok Kumar, Madhubala, M. Kumar, Vijayalaxmi, Kanu Roy, S. Nazir, Eruch Tarapore, Sheela Naik, Leela Pandey, Neelam

I Was a Teenage Frankenstein

40. (-34) I Was a Teenage Frankenstein

Herbert L. Strock

1957 / USA / 74m / BW / Exploitation | IMDb
Whit Bissell, Phyllis Coates, Robert Burton, Gary Conway, George Lynn, John Cliff, Marshall Bradford, Claudia Bryar, Angela Blake, Russ Whiteman

“Like I Was a Teenage Werewolf, I Was a Teenage Frankenstein taps into a metaphor about teenage dissatisfaction. As in Teenage Werewolf, the monster comes to represent alienated adolescence and Whit Bissell is again cast as a calculating and manipulative scientist/authority figure. It is amusing to see that in this film Frankenstein is no longer traditionally a scientist with misguided intentions, he is utterly ruthless from the outset. I Was a Teenage Frankenstein is played considerably more tongue-in-cheek than Teenage Werewolf and emerges as the better of the two films as a result.” – Richard Scheib, Moria – The Science Fiction, Horror and Fantasy Film Review


41. (-5) S&man

J.T. Petty

2006 / USA / 84m / Col / Found Footage | IMDb
Elizabeth Cartier, Carol J. Clover, Debbie D, Freddie Dingo, Michelle Glick, Julie Katz, Erik Marcisak, Carlina Salemi, Fred Vogel, Bill Zebub

“Many horror films, especially the slasher, are staged as implicit wars of the sexes, with have-nots viciously murdering the haves, giving release to those who might resent their place in the social pecking order of things. S&Man stresses that the creation of these movies logically serves an even more intimate catharsis for the director… Taking off from Carol Clover’s influential Men, Women and Chainsaws: Gender in the Modern Horror Film, S&Man acknowledges that both genders are getting something out of these films—that the victim/killer relationship (or director/actress) is more complicated and mutually rewarding… The film is onto something here—a working-class view of the symbiotic relationship between director and actress in the film business and its parallel with the fantasies of the viewers.” – Chuck Bowen, Slant Magazine

Zombies on Broadway

42. (+41) Zombies on Broadway

Gordon Douglas

1945 / USA / 69m / BW / Zombie | IMDb
Wally Brown, Alan Carney, Bela Lugosi, Anne Jeffreys, Sheldon Leonard, Frank Jenks, Russell Hopton, Joseph Vitale, Ian Wolfe, Louis Jean Heydt

“Notable enough for being a bit more entertaining than the typical 40’s horror comedy, Zombies on Broadway becomes even more worthy of attention in light of the ongoing rivalry in those days between RKO and Universal as producers of fright films. Universal was by far the more conservative production house, and although RKO’s horror movies weren’t always necessarily better, they were invariably bolder and more innovative. And so consider Zombies on Broadway, which injected RKO’s in-house Abbott and Costello wannabes into a parodic take on I Walked with a Zombie, three years before Universal famously spoofed their own monster lineup in Abbott and Costello Meet Frankenstein.” – Scott Ashlin, 1000 Misspent Hours and Counting

The Monster Maker

43. (+23) The Monster Maker

Sam Newfield

1944 / USA / 62m / BW / Science Fiction | IMDb
J. Carrol Naish, Ralph Morgan, Tala Birell, Wanda McKay, Terry Frost, Glenn Strange, Alexander Pollard, Sam Flint, Ace the Wonder Dog

“In 1944, legendary B-movie director Sam Newfield (known primarily for quick-made westerns such as The Terror of Tiny Town) introduced the world to Dr. Igor Markoff in The Monster Maker. Often overshadowed by more popular movie madmen, Dr. Markoff is every bit as diabolical and devious as his contemporaries… [The film] also marks the first credited musical score by the most prolific B-movie composer of all time, Albert Glasser. Glasser’s score adds a ton of depth to the film without making it sound like it’s taking itself too seriously… Despite the obvious flaws that make The Monster Maker look like it was made quickly and cheaply, it is an entertaining film. The story is original, the actors are skilled and the film is as well made as a low-budget B-movie can be. And there’s a guy in a gorilla suit.” – James Jay Edwards, FilmFracture

Feng shui

44. (+30) Feng shui

Chito S. Roño

2004 / Philippines / 117m / Col / Haunted House | IMDb
Kris Aquino, Jay Manalo, Lotlot De Leon, Ilonah Jean, John Manalo, Julianne Gomez, Ernesto Sto. Tomas, Cherry Pie Picache, Noni Buencamino, Jenny Miller

Yotsuya kaidan

45. (+17) Yotsuya kaidan

Shirô Toyoda

1965 / Japan / 105m / Col / Jidaigeki | IMDb
Tatsuya Nakadai, Mariko Okada, Junko Ikeuchi, Mayumi Ôzora, Keiko Awaji, Eitarô Ozawa, Masao Mishima, Mikijirô Hira, Eijirô Tôno, Yasushi Nagata

Weird Woman

46. (-39) Weird Woman

Reginald Le Borg

1944 / USA / 63m / BW / Mystery | IMDb
Lon Chaney Jr., Anne Gwynne, Evelyn Ankers, Ralph Morgan, Elisabeth Risdon, Lois Collier, Harry Hayden, Elizabeth Russell, Phil Brown, Kay Harding

“A borderline horror-esque hour of Lon Chaney Jr being harrassed and looking troubled, as all the Inner Sanctum films were. This one was scripted by Brenda Weisberg from the novel Conjure Wife by Fritz Leiber, and if that sounds familiar, well, perhaps you’ve read it, or perhaps you’ve seen the more famous British adaptation called Night of the Eagle from the 1960s. Which is best? Well, the British film probably, but that’s not to say the American version is without interest. It does tend to eschew the supernatural explanation after spending almost all of the running time relying on it for thrills, but is fairly enjoyable nonetheless.” – Graeme Clark, The Spinning Image

Without Name

47. (new) Without Name

Lorcan Finnegan

2016 / Ireland / 93m / Col / Psychological | IMDb
Alan McKenna, Niamh Algar, James Browne, Brendan Conroy, Donncha Crowley, Morgan C. Jones, Brandon Maher, Alan McNally, Helen Roche, Paul Ward

The Flying Serpent

48. (+7) The Flying Serpent

Sam Newfield

1946 / USA / 59m / BW / Mystery | IMDb
George Zucco, Ralph Lewis, Hope Kramer, Eddie Acuff, Wheaton Chambers, James Metcalf, Henry Hall, Milton Kibbee, Budd Buster, Terry Frost

The Devil Bat was a big hit for PRC and The Flying Serpent more or less follows the same basic outline. Unlike that flick, The Flying Serpent is relatively low on chills and chuckles and takes itself very seriously. The special effects aren’t bad for the time (and budget), although you can see the marionette strings that holds the monster up sometimes. Zucco is OK in the lead but he’s no Bela Lugosi, whose wonderfully hammy performance made Devil Bat the classic that it is. He does seem pretty convincing while giving Quetzalcoatl his little pep talks though. I have a soft spot in my heart for these Poverty Row horror movies from the 40’s… The serpent attack scenes were a lot of fun and the scant 58 minute running time flew by.” – Mitch Lovell, The Video Vacuum

Buppha Rahtree

49. (+16) Buppha Rahtree

Yuthlert Sippapak

2003 / Thailand / 109m / Col / Comedy | IMDb
Laila Boonyasak, Krit Sripoomseth, Chompunoot Piyapane, Sirisin Siripornsmathikul, Ampon Rattanawong, Somjai Sukjai, Sayan Meungjarern, Mr. Nicolas

“It’s almost as if director Yuthlert Sippapak (Killer Tattoo) filmed three separate movies; a romantic drama, a comedy and a supernatural horror, and edited them together in post production. And guess what? It works!… This movie has real scares, I kid you not. Buppah’s make-up bears more of a resemblance to a deadite then to the typical J-horror vengeful spook, and forget the whole crawling slowly towards her victim business… Buppah skips merrily, and quickly towards her terrified targets. The movie also appeases the gore junkies with a gooey little hacksaw scene, and finishes off with a particularly macabre ending.” – Jon Condit, Dread Central


50. (+19) Aswang

Wrye Martin & Barry Poltermann

1994 / USA / 82m / Col / Vampire | IMDb
Norman Moses, Tina Ona Paukstelis, John Kishline, Flora Coker, Victor Delorenzo, Mildred Nierras, Jamie Jacobs Anderson, Daniel Demarco, John Garekis, Lee Worrell

“It’s a fun movie, but it’s nothing really original or innovative. Borrowing liberally from “The Shining”, “The Evil Dead”, “Texas Chainsaw Massacre” and “Psycho”, and adding a pinch of Filipino horror to the mix, it’s still pretty odd, mostly due to the subject matter, but also due to the strain of very black humor on display, with a few moments (mamma hanging from a window by her very long tongue) garnering chuckles, proving that the people behind this at least know how to have fun. There’s also some nice gore, a few genuinely suspenseful moments, a good enough score by Ken Brahmstedt (dig the weird electronic effects), an interesting subplot, and a fitting, bleak conclusion.” – Joseph Howell, Talk of Horrors

Before I Hang

51. (-43) Before I Hang

Nick Grinde

1940 / USA / 62m / BW / Science Fiction | IMDb
Boris Karloff, Evelyn Keyes, Bruce Bennett, Edward Van Sloan, Ben Taggart, Pedro de Cordoba, Wright Kramer, Bertram Marburgh, Don Beddoe, Robert Fiske

“The mechanical zest with which Director Nick Grinde usually manages to obscure script deficencies in films of this genre is conspicuously absent in “Before I Die.” But if you’re taken in by reels and reels of test tubes, mechanical hearts and other scientific gadgets, or the brooding atmosphere provoked through the use of murky photography, then “Before I Hang” should prove to be moderately entertaining. It’s strictly a one-man show—Mr. Karloff’s as far as performances go, but Pedro de Cordoba manages to get, off a pretty good imitation of a piano maestro.” – Bosley Crowther, The New York Times

Más negro que la noche

52. (+40) Más negro que la noche

Carlos Enrique Taboada

1975 / Mexico / 96m / Col / Haunted House | IMDb
Claudia Islas, Susana Dosamantes, Helena Rojo, Lucía Méndez, Julián Pastor, Alicia Palacios, Pedro Armendáriz Jr., Tamara Garina, Enrique Pontón

“The story in “Más negro que la noche” may be simplistic, even clichéd; however, Taboada’s film seems to be constructed with one single idea in mind: atmosphere. Atmosphere is the key word in “Más negro que la noche”, which showcases a masterful use of lighting and camera-work to create an effectively ominous atmosphere of dread that begins to surround the four main characters. Stylish and elegant, Taboada’s borrowing of Giallo elements does not limit merely to plot devices, but also to the striking visual style… which shows a more than obvious influence from Mario Bava. In the film, Taboada once again excels in his visual narrative, which is fluid and dynamic, developing the story at a nice pace.” – J. Luis Rivera, W-Cinema

La marca del Hombre-lobo

53. (-13) La marca del Hombre-lobo

Enrique López Eguiluz

1968 / Spain / 88m / Col / Werewolf | IMDb
Paul Naschy, Dyanik Zurakowska, Manuel Manzaneque, Aurora de Alba, Julián Ugarte, José Nieto, Carlos Casaravilla, Ángel Menéndez, Antonio Jiménez Escribano

“The look of this movie is striking, and even lacking the nudity and gore of the later films in the Daninsky cycle, this still generates a marvelous ambiance of menace. The filmmakers make good use of the locations, which are richly decorated by the prop department, and they cover for any deficiencies with a striking use of colored lighting. The whole thing plays as if Terence Fisher and Mario Bava had had their genes spliced and their mutant progeny had turned its attention on the Universal-style monster rally… Even given the movie’s reliance on werewolf action–a given in any Naschy werewolf picture–there’s an otherness to this movie that eludes most of Naschy’s other films and turns the “blender” quality of its construction into a kind of dream logic.” – Christianne Benedict, Krell Laboratories

Black Moon

54. (0) Black Moon

Roy William Neill

1934 / USA / 68m / BW / Thriller | IMDb
Jack Holt, Fay Wray, Dorothy Burgess, Cora Sue Collins, Arnold Korff, Clarence Muse, Eleanor Wesselhoeft, Madame Sul-Te-Wan, Laurence Criner, Lumsden Hare

“Dorothy Burgess excels in the role of Nita, with her ominous looks and wild-eyed dancing. Neill and cinematographer Joseph August bring a great sense of dread to the proceedings, and the shadowy camerawork is film noirish in its execution (pardon the pun). BLACK MOON isn’t particularly scary, but has enough good moments to qualify as horror. It’s an obscure title that’s rarely seen today, and is worth going out of your way to find, especially for Golden Age horror completests.” – Gary Loggins, Cracked Rear Viewer

La llorona

55. (-39) La llorona

Ramón Peón

1933 / Mexico / 73m / BW / Mystery | IMDb
Ramón Pereda, Virginia Zurí, Carlos Orellana, Adriana Lamar, Alberto Martí, Esperanza del Real, Paco Martínez, María Luisa Zea, Alfredo del Diestro, Conchita Gentil Arcos

“Adapted to the screen by two legendary figures of early Mexican cinema, Carlos Noriega Hope (of “Santa” fame) and Fernando De Fuentes (who would become a famous filmmaker on his own right), “La Llorona” is based on a story by A. Guzmán Aguilera which is essentially the narrative of the two most famous variations on the legend of “La Llorona”, framed by a modern tale of mystery and horror, making technically a collection of three stories linked by the legend… [it] may not be the best horror movie of the 30s, but as the very origin of the Mexican tradition of horror film-making (and one of Mexico’s first talkies) is of great interest and importance.” – J. Luis Rivera, W-Cinema

Pillow of Death

56. (+4) Pillow of Death

Wallace Fox

1945 / USA / 66m / BW / Mystery | IMDb
Lon Chaney Jr., Brenda Joyce, J. Edward Bromberg, Rosalind Ivan, Clara Blandick, George Cleveland, Wilton Graff, Bernard Thomas, Fern Emmett

Eye of the Cat

57. (-28) Eye of the Cat

David Lowell Rich

1969 / USA / 102m / Col / Crime | IMDb
Michael Sarrazin, Gayle Hunnicutt, Eleanor Parker, Tim Henry, Laurence Naismith, Jennifer Leak, Linden Chiles, Mark Herron, Annabelle Garth, Tullia

“Why this nifty little thriller is so forgotten and nowhere to be found today is a mystery. It’s really a rather intriguing, if sometimes uneven, attempt at mixing Hitchcockian suspense with the kind of supernatural theater of the macabre one might associate with an old episode of Night GalleryEye of the Cat was one of the earliest films to exploit the subtle malevolence and flagrant creep-out factor of packs of animals. A trend that blossomed into a full-blown horror sub-genre in the ’70s” – Ken Anderson, Dreams Are What Le Cinema Is For…


58. (-1) Ouanga

George Terwilliger

1936 / USA / 56m / BW / Supernatural | IMDb
Fredi Washington, Philip Brandon, Marie Paxton, Sheldon Leonard, Winifred Harris, Babe Joyce, George Spink, Sidney Easton

Condemned to Live

59. (-1) Condemned to Live

Frank R. Strayer

1935 / USA / 67m / BW / Vampire | IMDb
Ralph Morgan, Pedro de Cordoba, Maxine Doyle, Russell Gleason, Mischa Auer, Lucy Beaumont, Carl Stockdale, Barbara Bedford, Robert Frazer, Ferdinand Schumann-Heink

Blood of Dracula

60. (+40) Blood of Dracula

Herbert L. Strock

1957 / USA / 69m / BW / Vampire | IMDb
Sandra Harrison, Louise Lewis, Gail Ganley, Jerry Blaine, Heather Ames, Malcolm Atterbury, Mary Adams, Thomas Browne Henry, Don Devlin, Jean Dean

“This really should’ve been called I Was a Teenage Vampire. Unfortunately, the folks at AIP chickened out. It’s the third in the series, and while it isn’t quite in the same league as I Was a Teenage Werewolf or I Was a Teenage Frankenstein; it still has its moments. The film is essentially a remake of I Was a Teenage Werewolf. Instead of Michael Landon getting hypnotized by a deranged doctor into becoming a werewolf, we get a mousy chick (Sandra Harrison) getting hypnotized by a deranged doctor (Louise Lewis) into becoming a vampire. Other than that, it’s the same damn thing. There’s even a funny rock song (called “Puppy Love”) in there for no good reason whatsoever.” – Mitch Lovell, The Video Vacuum

The Flesh Eaters

61. (+10) The Flesh Eaters

Jack Curtis

1964 / USA / 87m / Col / Exploitation | IMDb
Martin Kosleck, Byron Sanders, Barbara Wilkin, Rita Morley, Ray Tudor, Christopher Drake, Darby Nelson, Rita Floyd, Warren Houston, Barbara Wilson

“The Flesh Eaters is exactly why people subject themselves to bad sci-fi films… This is a camp film of the highest order. A pilot, an alcoholic actress, and her personal assistant become stranded on an island with a mysterious Udo Kier-like scientist. All hope of escape seems lost however, when they discover that the waters around them are home to some ‘strange glowing things’ that like to feed on human flesh. Featuring some of the sharpest Z-grade dialogue this side of Ed Wood Jr. and an utterly absurd “suspense sequence” about traversing a two-foot span of rocks that simply has to be seen to be believed, this is the epitome of a bad drive-in picture. Simply put, I laughed from beginning to end, and loved every damn second of it.” – Adam Lemke,

Long Pigs

62. (+49) Long Pigs

Nathan Hynes & Chris Power

2007 / Canada / 81m / Col / Found Footage | IMDb
Anthony Alviano, Jean-Marc Fontaine, Paul Fowles, Shane Harbinson, Roger King, Kelly McIntosh, Brad Mittelman, John Terranova, Vik Sahay, Barbara Walsh

The Maze

63. (-52) The Maze

William Cameron Menzies

1953 / USA / 80m / BW / Gothic | IMDb
Richard Carlson, Veronica Hurst, Katherine Emery, Michael Pate, John Dodsworth, Hillary Brooke, Stanley Fraser, Lilian Bond, Owen McGiveney, Robin Hughes

“Like many of the films from the golden age of 3-D, The Maze doesn’t rely on its 3-D effects to tell its story. In fact, it’s just as effective of a story when watched in two dimensions as it is in three. The Maze was directed by William Cameron Menzies (whose claim to fame was his stunning use of color as the production designer for Gone with the Wind, but he also directed the legendary Invaders from Mars), and his use of the technology is more textural and layering than gimmicky… The castle is a perfect setting for a horror film, with its long hallways, arching doorways and sweeping staircases, and the environment only adds to the excitement.” – James Jay Edwards, FilmFracture

Vaastu Shastra

64. (-12) Vaastu Shastra

Sourabh Usha Narang

2004 / India / 106m / Col / Supernatural | IMDb
Vicky Ahuja, J.D. Chakravarthi, Ahsaas Channa, Peeya Rai Chowdhary, Zakir Hussain, Rasika Joshi, Purab Kohli, Bansaree Madhani, Meghna Malik, Rafiqa

“This is a severely scary film, and certainly not for the faint of heart. First time director Sourabh Usha Narang has skillfully manipulated sound and cinematography to great effect, and sincerely ensured a large part of his audience sleep with the lights on… Most of the productions originating from Ram Gopal Varma’s Factory these days are slickly made and cleverly edited, but this substantially raises the bar. From bizarre transitions to surreal angles, the cinematography is ingenuous, and complemented by some inspired editing. There are several shots where characters converse while the camera lingers elsewhere, triggering off a flood of ‘oh, then this must mean…’ thoughts in your then-hyperactive subconscious.” – Raja Sen,

The Monster and the Girl

65. (+5) The Monster and the Girl

Stuart Heisler

1941 / USA / 65m / BW / Science Fiction | IMDb
Ellen Drew, Robert Paige, Paul Lukas, Joseph Calleia, Onslow Stevens, George Zucco, Rod Cameron, Phillip Terry, Marc Lawrence, Gerald Mohr

“The Monster and the Girl is definitely one of the strangest pictures ever made. And when one hears what the plot is, one expects it to be one of the worst films ever made. Surprisingly, Monster turns out to be a fairly effective and entertaining little “B” flick – and not one that gets by just on camp value… Stuart Heisler’s direction is lively and totally committed; his work gives no sign that he is not approaching this story with total seriousness, and he’s aided by good atmospheric contributions from Victor Milner.” – Craig Butler, AllMovie

The Devil Commands

66. (+14) The Devil Commands

Edward Dmytryk

1941 / USA / 65m / BW / Supernatural | IMDb
Boris Karloff, Richard Fiske, Amanda Duff, Anne Revere, Cy Schindell, Dorothy Adams, Walter Baldwin, Kenneth MacDonald, Shirley Warde

“With its mix of sci-fi and horror elements, THE DEVIL COMMANDS is a unique little film. Karloff is great as usual, showing us a kind man who gradually becomes a physical wreck, driven to madness by the time it’s all over. Although the film lacks great character support, Revere is still quite intense, and at least we get to see the deadpan acting of Kenneth MacDonald (yup,from all those “Three Stooges” shorts) as a sheriff very suspicious of Blair. With a sitting circle of dead people in large metal helmets, and electrical special effects overhead, the sci-fi aspects are visually impressive, and Dmytryk uses shadowy lighting to hide the limited sets and build gloomy atmosphere.” – George R. Reis, DVD Drive-In

Der Student von Prag

67. (-6) Der Student von Prag

Arthur Robison

1935 / Germany / 87m / BW / Drama | IMDb
Anton Walbrook, Theodor Loos, Dorothea Wieck, Erich Fiedler, Edna Greyff, Karl Hellmer, Volker von Collande, Fritz Genschow, Elsa Wagner, Miliza Korjus

The Clairvoyant

68. (-5) The Clairvoyant

Maurice Elvey

1934 / UK / 81m / BW / Psychological | IMDb
Claude Rains, Fay Wray, Mary Clare, Ben Field, Jane Baxter, Athole Stewart, C. Denier Warren

“In his posthumous memoir, screenwriter Charles Bennett claimed that the script was actually based on a series of strange experiences he had following World War 1. According to Bennett, he grew increasingly superstitious when the war ended and his imagination started working overtime. He began believing he could cause terrible things to happen just by being in the same room with someone after bearing witnesses to multiple tragedies that he felt personally responsible for… The personal nature of the script bolsters the film’s interesting pedigree making it a unique curio that fans of classic horror and suspense should appreciate.” – Kimberly Lindbergs, TCM’s Movie Morlocks

Mo tai

69. (+20) Mo tai

Hung-Chuen Lau

1983 / Hong Kong / 84m / Col / Exploitation | IMDb
Eddie Chan, Yung-chang Chin, Pak-Kwong Ho, Dan Lau, Sai-gang Lau, San Leung, Pui-pui Liu, Hsiu-ling Lu, Sha-fei Ouyang, Mung-Kwong Tsui

“For the remainder, I’ll just give the highlights. The demon is now inside Boby, which eventually gets transferred to Kwo Wei, who immediately takes on the generic automaton gaze and deliberate walk. There’s dog attacks, there’s dog eating, there’s maid raping, there’s near drowning, there transsexual masturbation, there’s worm eating, there’s a dude being crushed by a room (yes, I mean exactly that) and yes, there’s more slimy demon-sex. A lot of this is done with the accompaniment of some wicked 1980s video game-esque sound effects that make you nostalgic for that Atari system. There are also a couple of signature Hong-Kong-ish battle scenes that don’t make any logical sense, but are really great to watch.” – Zombie-A-GoGo

The Mask

70. (-50) The Mask

Julian Roffman

1961 / Canada / 83m / Col / Thriller | IMDb
Paul Stevens, Claudette Nevins, Bill Walker, Anne Collings, Martin Lavut, Leo Leyden, Norman Ettlinger, Bill Brydon, Jim Moran, Eleanor Beecroft

“The strange aspect of the movie is that there is a very schizophrenic feeling it gives off. While the non-3D sequences are somewhat tame (while still being expertly shot in stark black and white by cinematographer Herbert S. Alpert), the 3D sequences are quite brilliantly directed and shot, almost as if they were created by an entirely different crew. They have this cerebral and surrealist vibe to them, something akin to the best aspects of Georges Franju, FW Murnau, Dali, and William Caste put in a blender, that results in a beautiful fever dream (literally) captured on celluloid… the strength of the film and the reason that people should continue watching The Mask despite its shortcomings — beyond its importance in Canadian cinematic history — lies in these scenes.” – Joe Yanick, Diabolique Magazine


71. (+2) Thundercrack!

Curt McDowell

1975 / USA / 160m / Col / Adult | IMDb
Marion Eaton, Melinda McDowell, George Kuchar, Mookie Blodgett, Ken Scudder, Bernie Boyle, Mark Ellinger, Laurie Hendricks, Moira Benson, Virginia Giritlian

Dead Man's Eyes

72. (+3) Dead Man’s Eyes

Reginald Le Borg

1944 / USA / 64m / BW / Thriller | IMDb
Lon Chaney Jr., Acquanetta, Jean Parker, Paul Kelly, Thomas Gomez, Jonathan Hale, Edward Fielding, George Meeker, Pierre Watkin, Eddie Dunn

“The Inner Sanctum Mysteries that Chaney, Jr. starred in between 1943-45 have historically been thought of as inferior to his better known work, though Universal’s 2006 release of all six movies in a single collection reveals them to be fun and fast-paced even if you do consider them simple and routine mysteries… They are tidy little hour-long “B” pictures each linked by Lon Chaney, Jr. and enhanced by familiar supporting players throughout the series. Because of Chaney and the dark subject material they’re marketed as horror movies, but they are mostly and mainly mystery films. While none of them approaches the top echelon of either genre, each is entertaining and Dead Man’s Eyes–either despite or because of its being one of the most routine–is my own favorite by a slight margin.” – Cliff Aliperti, Immortal Ephemera


73. (+26) Bulshinjiok

Yong-Joo Lee & Lee Yong-ju

2009 / South Korea / 112m / Col / Mystery | IMDb
Young-nam Jang, Bo-yeon Kim, Chang-jik Lee, Hie-kyung Moon, Sang-mi Nam, Ji-eun Oh, Ryu Seung-Ryong, Eun-kyung Shim, Eun-Kyung Shin

Strangler of the Swamp

74. (-53) Strangler of the Swamp

Frank Wisbar

1946 / USA / 59m / BW / Supernatural | IMDb
Rosemary La Planche, Robert Barrat, Blake Edwards, Charles Middleton, Effie Laird, Nolan Leary, Frank Conlan, Therese Lyon, Virginia Farmer

“While the film’s sparse setting is no doubt a result of its limited budget, director Wisbar makes it a strength by infusing it with an overbearing gloominess. This is actually a remake of his own film, Fahrmann Maria, and he ports the gothic leanings of his native Germany over in this translation. While it’s not as overtly stylish and expressionist as early German horror, Strangler of the Swamp is bathed in shadows, mist, and moonlight and feels like a spectral dream not unlike The Vampyr. The persistent presence of the ferry recalls Charon and the River Styx, and it’s almost as if viewers are transported to a dismal underworld inhabited by the sprits of the living and the dead.” – Brett Gallman, Oh the Horror!

The Monster

75. (-52) The Monster

Roland West

1925 / USA / 86m / BW / Mystery | IMDb
Lon Chaney, Gertrude Olmstead, Hallam Cooley, Johnny Arthur, Charles Sellon, Walter James, Knute Erickson, George Austin, Edward McWade, Ethel Wales

“The Monster is the precursor for the tongue-in-cheek old-dark-house-with-malevolent-horror-star-as-host movie… The Monster is an oddity in the way it uses star Chaney. Chaney’s body of work goes a considerable distance in debunking his reputation as a “horror” actor. The few horror films Chaney appeared in are more aptly described as bizarre, densely psychological melodramas. The Monster, however, could serve as a prototype for a genre celebrity in a B-movie parody… The Monster is not great cinema, its not the best West, best Chaney, or best Old Dark House movie (James Whale would deliver that seven years later), but it is silent pulp and, in the right mindset, it can take you back to the days of milk duds and acne.” – Alfred Eaker, 366 Weird Movies

Terror Is a Man

76. (+33) Terror Is a Man

Gerardo de Leon

1959 / Philippines / 89m / BW / Science Fiction | IMDb
Francis Lederer, Greta Thyssen, Richard Derr, Oscar Kesse, Lilia Duran, Peyton Keesee, Flory Carlos

“A horror film which prefigures the signature Hemisphere style of putting a deeply eccentric spin on tired and shopworn premises. It was quite successful in the Philippines, but initially failed miserably enough at the American box office… the reissue [in 1964 as Blood Creature] made so much money that Romero spent the rest of the decade spinning it off into a loosely organized series of increasingly sex-crazed and blood-soaked horror flicks set on Terror Is a Man’s imaginary Blood Island… On the technical side, Terror Is a Man is one of the most beautifully shot movies I’ve seen in quite some time. This is probably the film’s most remarkable feature, seeing as one hardly expects first-rate cinematography from a 40-plus-year-old horror flick made in the Philippines!” – Scott Ashlin, 1000 Misspent Hours

Nan yang shi da xie shu

77. (new) Nan yang shi da xie shu

Man Kei Chin

1995 / Hong Kong / 89m / Col / Supernatural | IMDb
Kwok-Pong Chan, Ellen Chan, Ben Ng, Bobbie Au-Yeung, Gwan Chin, Lily Chung, Woon Ling Hau, Julie Lee, Ta Lei, Meng Lo

The Mad Ghoul

78. (+25) The Mad Ghoul

James P. Hogan

1943 / USA / 65m / BW / Science Fiction | IMDb
Turhan Bey, Evelyn Ankers, David Bruce, George Zucco, Charles McGraw, Robert Armstrong, Milburn Stone, Rose Hobart, Andrew Tombes, Addison Richards

“This is a pretty neat little horror picture that’s raised several notches by the presence of George Zucco as the openly lecherous mad scientist who turns David Bruce into the title monster—as much for a shot at leading lady Evelyn Ankers (he wants to teach her how to read “the book of life”) as for the good of science. The results are actually pretty grisly for its era—and the Mad Ghoul looks alarmingly like a George Romero zombie… An unnamed British critic is said to have reviewed the film by noting, “To be a ghoul would be disconcerting enough. To be a mad ghoul must be the height of personal embarassment.”” – Ken Hanke, Mountain Xpress

The Frozen Ghost

79. (-2) The Frozen Ghost

Harold Young

1945 / USA / 61m / BW / Mystery | IMDb
Lon Chaney Jr., Evelyn Ankers, Milburn Stone, Douglass Dumbrille, Martin Kosleck, Elena Verdugo, Tala Birell, Arthur Hohl

Phantom of the Rue Morgue

80. (+8) Phantom of the Rue Morgue

Roy Del Ruth

1954 / USA / 83m / Col / Thriller | IMDb
Karl Malden, Claude Dauphin, Patricia Medina, Steve Forrest, Allyn Ann McLerie, Anthony Caruso, Veola Vonn, Dolores Dorn, Merv Griffin, Paul Richards

“Laced with humor, ghoulishness, bloodshed, and melancholy, it’s quite unfaithful to the plot of Poe’s original story; however, these qualities effuse throughout the Poe canon, making Phantom of the Rue Morgue a fine tonal fit for the author’s work. It may have been hatched as a studio inevitability after the success of [the previous year’s] House of Wax, but the film is well-realized with strong performances (particularly from Malden, who goes from lovelorn to deranged within one scene) and a handsomely mounted production.” – Brett Gallman, Oh, the Horror!

Uncle Silas

81. (+12) Uncle Silas

Charles Frank

1947 / UK / 103m / BW / Mystery | IMDb
Jean Simmons, Katina Paxinou, Derrick De Marney, Derek Bond, Sophie Stewart, Esmond Knight, Reginald Tate, Manning Whiley, Marjorie Rhodes, John Laurie

“It’s not a horror movie, but by tapping in to its strong Gothic roots, and by shooting several of the scenes with a gloomy and forbidding atmosphere, it has the feel of a horror movie on occasion; there are spooky cobweb-filled passages and a frightening face in the window just for starters. It also has fine performances from all, with special mention going to Katina Paxinou, whose hard-drinking French governess character is unsettlingly creepy. It takes a while to get rolling, and some of the pacing is awkward, but it builds up to a truly satisfying climax.” – Dave Sindelar, Fantastic Movie Musings and Ramblings

A Warning to the Curious

82. (+2) A Warning to the Curious

Lawrence Gordon Clark

1972 / UK / 50m / Col / Mystery | IMDb
Peter Vaughan, Clive Swift, Julian Herrington, John Kearney, David Cargill, George Benson, Roger Milner, Gilly Fraser, David Pugh, Cyril Appleton

“A perfectly-realized ghost story with no bells and whistles, no gore, no needless filler and no special effects. Instead this offers up excellent direction, fine performances, a low-key, otherworldly score punctuated by frantic violins and stark, low-budget 16mm photography that manages to brilliantly draw the eerie supernatural elements of the story out of the everyday world.” – The Bloody Pit of Horror

Frankenstein - 1970

83. (+60) Frankenstein – 1970

Howard W. Koch

1958 / USA / 83m / BW / Science Fiction | IMDb
Boris Karloff, Tom Duggan, Jana Lund, Don ‘Red’ Barry, Charlotte Austin, Irwin Berke, Rudolph Anders, Norbert Schiller, John Dennis, Mike Lane

“Hardly a great film, Frankenstein 1970 remains somewhat underrated. While Karloff indeed chews a lot of pork, he enjoys his role. Additionally, it has an intriguing pulp premise. The descendant of the original Baron Victor Frankenstein, horribly scarred as a holocaust victim, rents out the famous castle to a schlock Hollywood film crew in order to raise cash for the equipment necessary to carry on his ancestor’s experiments… Despite the film that surrounds him, Karloff gives a tour de force performance and for that reason alone, Frankenstein 1970 is enjoyably unremarkable, which is something that can be said for the bulk of the actor’s late film work.” – Alfred Eaker,

The Lady and the Monster

84. (+14) The Lady and the Monster

George Sherman

1944 / USA / 86m / BW / Science Fiction | IMDb
Vera Ralston, Richard Arlen, Erich von Stroheim, Helen Vinson, Mary Nash, Sidney Blackmer, Janet Martin, William Henry, Charles Cane, Juanita Quigley

“The first film adaptation of Kurt Siodmak’s influential novel Donovan’s Brain features, for the first time on screen, a disembodied brain asserting its influence on people around it. Well shot and directed for second-tier studio Republic in a gothic noir style, and good acting from Erich von Stroheim and Richard Arlen. Unfortunately the script doesn’t live up to its source material and the film contains ghastly wooden acting from Czechoslovakian ice-skater-turned-studio-boss’-girlfriend Eva Hruba Ralston in her first feature role… There are some very nice pans and tracking shots of the lab, experimental low-angle shots and of course the wonderfully expressionistic lighting of the DP Alton creates a very claustrophobic and moody atmosphere.” – Janne Wass, Scifist


85. (+33) Veerana

Shyam Ramsay & Tulsi Ramsay

1988 / India / 135m / Col / Musical | IMDb
Hemant Birje, Jasmin, Sahila Chaddha, Kulbhushan Kharbanda, Satish Shah, Vijayendra Ghatge, Gulshan Grover, Rama Vij, Rajesh Vivek, Vijay Arora


86. (new) Gut


2012 / USA / 91m / Col / Psychological | IMDb
Jason Vail, Nicholas Wilder, Sarah Schoofs, Kirstianna Mueller, Kaitlyn Mueller, Angie Bullaro, Ria Burns-Wilder, Miles Joris-Peyrafitte, Karl Pfeiffer, Leisa Haddad

La torre de los siete jorobados

87. (+14) La torre de los siete jorobados

Edgar Neville

1944 / Spain / 85m / BW / Mystery | IMDb
Antonio Casal, Isabel de Pomés, Guillermo Marín, Félix de Pomés, Julia Lajos, Julia Pachelo, Manolita Morán, Antonio Riquelme, José Franco, Manuel Miranda

“Neville’s film is not exactly good, but it certainly is fascinating. In many ways it’s like a rather corny Universal horror movie of the ’30s (featuring a few performances that would show even Lugosi in an impressive light); but no Hollywood film-maker – with the possible exception of Whale or Browning – would pepper a plot with such delightful nonsense (the ghost of Napoleon turns up at one point) and grotesquerie. The Spanish taste for the fantastic, the bizarre and the surreal is much in evidence, and one is left breathless by the sheer audacity of the ludicrous plot. It can, of course, be seen as an allegory on the state of the nation after the Civil War, but is best viewed as weird but wonderful wackiness.” – GA, Time Out London

El barón del terror

88. (-66) El barón del terror

Chano Urueta

1962 / Mexico / 77m / BW / Supernatural | IMDb
Abel Salazar, Ariadna Welter, David Silva, Germán Robles, Luis Aragón, Mauricio Garcés, Ofelia Guilmáin, René Cardona, Rubén Rojo, Carlos Nieto

“Brainiac is delirious, sordid monster fun for ‘undiscriminating audiences.’ Its only practical function is to be able to say “I saw The Brainiac last night,” just to see which of your friends wants to hear more and which suddenly hurry away whenever you approach. Then again, it’s no trashier than any number of gory and cheap American movies of the 1950s… Viewers undeterred by those considerations will be floored by Urueta’s use of tacky, overly bright rear-projected stills to represent all exteriors not shot on interior sets. Like the best of American Z-filmmaking, Brainiac seems to take place in some unused broom closet of the imagination.” – Glenn Erickson, DVD Savant

Santa Claws

89. (-38) Santa Claws

John Russo

1996 / USA / 83m / Col / Slasher | IMDb
Debbie Rochon, Grant Cramer, John Mowod, Dawn Michelucci, Savannah Calhoun, Marilyn Eastman, Julie Wallace Deklavon, Christopher Boyle, Terri Lewandowski, Ed Lewandowski

“John A. Russo has written and directed one of the best ‘whack-job stalker’ movies that I have seen. This movie is fairly gory but has more nudity than a Larry Flynt hot tub party, which is the films biggest saving grace. A light hearted Christmas soundtrack being played while our killer does his dirty work while wearing a Santa Clause suit is a great added touch. This one will be enjoyed by fans of horror, fans of humor and fans of naked chicks alike. Did someone say stocking stuffer?” – The Cryptkeeper,

Calling Dr. Death

90. (-14) Calling Dr. Death

Reginald Le Borg

1943 / USA / 63m / BW / Mystery | IMDb
Lon Chaney Jr., Patricia Morison, J. Carrol Naish, David Bruce, Ramsay Ames, Fay Helm, Holmes Herbert, Alec Craig, Frederick Giermann, Lisa Golm

El jorobado de la Morgue

91. (+21) El jorobado de la Morgue

Javier Aguirre

1973 / Spain / 87m / Col / Gothic | IMDb
Paul Naschy, Rosanna Yanni, Víctor Alcázar, María Elena Arpón, Manuel de Blas, Antonio Pica, Kino Pueyo, Adolfo Thous, Ángel Menéndez, Fernando Sotuela

“Far gorier than you might expect, The Hunchback Of The Morgue isn’t really breaking any new ground and it borrows heavily from the Hammer and Universal films that came before it, but it’s still a lot of fun and plenty atmospheric. Aguirre’s direction is strong as he keeps the movie going at a very brisk pace but manages to do so without sacrificing important character development bits which make Gotho [the hunchback] a very sympathetic lead. Naschy does quite well in the part, keeping in character and not often straying from the ‘hunchback stance’ that he manages to maintain quite convincingly throughout the film. The script, co-written by Naschy as Jacinto Molina, is lean and to the point but it manages to give us a few characters to care about aside from Gotho” – Ian Jane, Rock! Shock! Pop!

Dance of the Damned

92. (-24) Dance of the Damned

Katt Shea

1989 / USA / 82m / Col / Vampire | IMDb
Starr Andreeff, Cyril O’Reilly, Debbie Nassar, Maria Ford, Athena Worthy, Tom Ruben, Chuck Rhee, J. Bartell, Paisley Yankolovich, Eric Coplin

“In many respects this might have been a play rather than a film, which is one of its strengths and whilst starting with a level of exploitation quickly finds its feet as an excellent drama… this is not a film for those looking for pure horror, as it really isn’t, this is an intelligent film that explores humanity and despair. It is one that you will have to really search out but is well worth the effort and shows just how good a low budget film can be if the correct script and actors are used.” – A. Boylan, Taliesin Meets The Vampires

Gou hun jiang tou

93. (new) Gou hun jiang tou

Meng Hua Ho

1976 / Hong Kong / 89m / Col / Zombie | IMDb
Lung Ti, Ni Tien, Lily Li, Feng Lin, Wei Tu Lin, Terry Liu, Lieh Lo, Tzu-yun Mai, Chih-Li Ou, Cheng-cheng Wang

“Instead of continuing on with the same characters and telling more of their story, Black Magic 2 treats the black magic itself as the “character” worth exploring further in the sequel. Of course, the audience reaps the benefits, as this sequel is nastier, nuttier and a whole lot funner to watch. And since the twisted ways of Southeast Asian black magic are our main focus, it makes sense that the evil black magic practitioner (played wonderfully by Lo Lieh) is essentially the star of the film… It’s highly entertaining and it takes story risks that pay off incredibly well, resulting in a sequel that is better than the original film in nearly every way.” – Will Kouf, Silver Emulsion

The Bat Whispers

94. (+26) The Bat Whispers

Roland West

1930 / USA / 83m / BW / Mystery | IMDb
Chance Ward, Richard Tucker, Wilson Benge, DeWitt Jennings, Sidney D’Albrook, S.E. Jennings, Grayce Hampton, Maude Eburne, Spencer Charters, Una Merkel

“Roland West’s talkie remake of his own 1926 silent film The Bat is by far the best movie adaptation of the stock spoof horror play set in a creepy mansion where masked menace lurks. It’s also a superior mystery chiller in its own right. Sure, it’s a dusty antique by today’s standards, but the impressively surreal imagery is highly unusual for the period and well worth a look. Using remarkable special effects and miniature sets, the fluid camera darts about as much as the titular caped criminal for a fun combination of screams and laughs.” – Alan Jones, Radio Times

5 tombe per un medium

95. (-5) 5 tombe per un medium

Massimo Pupillo

1965 / Italy / 87m / BW / Zombie | IMDb
Barbara Steele, Walter Brandi, Mirella Maravidi, Alfredo Rizzo, Riccardo Garrone, Luciano Pigozzi, Ennio Balbo, Steve Robinson, Lewis Czerny, Peter Sarto

The Face of Marble

96. (-5) The Face of Marble

William Beaudine

1946 / USA / 72m / BW / Science Fiction | IMDb
John Carradine, Claudia Drake, Robert Shayne, Maris Wrixon, Willie Best, Thomas E. Jackson, Rosa Rey, Neal Burns, Donald Kerr, Allan Ray

The Face of Marble has the look of a classic Universal or Hammer horror film. It’s dark, gritty and very spooky. The locations are perfect for a film of its type, from the sprawling gothic beach home where most of the action takes place to the Frankenstein-esque laboratory where the scientists do their thing… All of the visual aspects of the film come together to give it an unforgettable mood that, with the lights turned off, could raise a few goose-bumps in even the most desensitized horror fan. William Beaudrine’s work runs the gamut from utterly ridiculous crossover films to family-oriented television, but The Face of Marble is probably his most genuinely scary film. Plot holes and unanswered questions aside, the tight little film about science and superstition will not disappoint anyone who invests a little over an hour into watching.” – James Jay Edwards, FilmFracture

Qu mo jing cha

97. (+5) Qu mo jing cha

Wei Tung

1990 / Hong Kong / 87m / Col / Martial Arts | IMDb
Ching-Ying Lam, Kiu Wai Miu, Wilson Lam, Mei-Wah Wong, Michiko Nishiwaki, Ma Wu, Billy Chow, Chi-leung Chan, Woon Ling Hau, Yuk-Hang Wong

Strange Confession

98. (-20) Strange Confession

John Hoffman

1945 / USA / 62m / BW / Crime | IMDb
Lon Chaney Jr., Brenda Joyce, J. Carrol Naish, Milburn Stone, Lloyd Bridges, Addison Richards, Mary Gordon, George Chandler, Gregory Marshall, Wilton Graff


99. (-56) Witchcraft

Don Sharp

1964 / UK / 79m / Col / Witchcraft | IMDb
Lon Chaney Jr., Jack Hedley, Jill Dixon, Viola Keats, Marie Ney, David Weston, Diane Clare, Yvette Rees, Barry Linehan, Victor Brooks

“Another choice film from the late Don Sharp, Witchcraft was made the year after the gaudily effective Kiss of the Vampire, and despite working in black and white and with a less exciting cast, Sharp pulls off another minor genre miracle with this cool little film… Lon Chaney Jr has a small role as Amy’s father Morgan, but Witchcraft isn’t driven by star-power; Harry Spalding’s script rigorously develops the idea of the past catching up with the present, and Sharp brings ingenious touches to the material… Older horror fans complain about the lack of story in recent films; Witch Craft would be a good place for a younger fan to start.” – Eddie B, Film Authority

Shojo no harawata

100. (+37) Shojo no harawata

Kazuo ‘Gaira’ Komizu

1986 / Japan / 72m / Col / Splatter | IMDb
Saeko Kizuki, Naomi Hagio, Megumi Kawashima, Osamu Tsuruoka, Daiki Katô, Hideki Takahashi, Kazuhiko Goda

“Like most Japanese films of this genre, Entrails of a Virgin is chocked full of female degradation and uncomfortable rape scenes. However, what’s unique this time around is that in addition to slaughtering people, it’s the mud monster doing the majority of the perverse acts. That’s right. The monster is sexually-frustrated and endowed like, well, a monster. In fact, one of the more charming scenes involves an impaling with said monstrous member. You can’t go wrong there. With all the strange scenes of gore that are sprinkled throughout the film’s erotic themes, it sort of resembles an episode of HBO’s “Real Sex,” if it were filmed on the set of Evil Dead.” – Dustin Wilmes, Passport Cinema


101. (+44) Seizure

Oliver Stone

1974 / Canada / 98m / Col / Thriller | IMDb
Jonathan Frid, Martine Beswick, Joseph Sirola, Christina Pickles, Hervé Villechaize, Anne Meacham, Roger De Koven, Troy Donahue, Mary Woronov, Richard Cox

“As a number of noted American filmmakers had roots in low budget genre productions (look at the Roger Corman school for numerous examples), it’s not surprising that young New York-born Vietnam vet Oliver Stone’s maiden directorial effort would be in horror… It was obvious that Stone and company were trying to make something a bit smarter than the average monster or slasher film, resulting in an oddball and at times crude piece of filmmaking with far out editing techniques… Produced independently and shot entirely on location in what must have been a very cold Ontario, Canada, SEIZURE’s casting is what makes it easily approachable and easy to watch, even when it comes off like an hallucinatory-induced episode of “Night Gallery”.” – George R. Reis, DVD Drive-In

Cannibal Girls

102. (-70) Cannibal Girls

Ivan Reitman

1973 / Canada / 84m / Col / Cannibal | IMDb
Eugene Levy, Andrea Martin, Ronald Ulrich, Randall Carpenter, Bonnie Neilson, Mira Pawluk, Bob McHeady, Alan Gordon, Allan Price, Earl Pomerantz

“Another classic Canadian horror delivers some laughs, a bit of blood, and a trio of beautiful and dangerous women, straight from the mind of Ivan Reitman… Within the first few moments of Cannibal Girls, you get a very good understanding of what lies ahead. A couple decide to make out in the woods, in the winter because it is Canada you know. A creepy figure emerges from the bush, brandishes a pickax and eliminates the man before tearing open the woman’s shirt to expose her breasts. The rest of the film plays out in pretty much the same way. Just throw in a little comic relief with Eugene Levy and Andrea Martin and you have a perfect example of Canadian exploitation.” – Will Brownridge, The Film Reel


103. (+2) Joyû-rei

Hideo Nakata

1996 / Japan / 75m / Col / Supernatural | IMDb
Yûrei Yanagi, Yasuyo Shirashima, Kei Ishibashi, Ren Ohsugi, Takanori Kikuchi, SABU, Reita Serizawa, Akira Hibino, Hirofumi Kobayashi, Dan Li

Ring wasn’t just effortlessly scary – it didn’t come out of nowhere. Hideo Nakata had already been trying out how to scare audiences with a ghost girl all the way through Ghost Actress, which makes it an interesting watch. Strangely, the ghost is seen many more times than in Ring – here she’s more active, more vocal and more hands on!… well-acted, atmospheric, occasionally creepy, but a little too brief at 73 minutes – you’re left wanting more story, including a better reason for the haunting. But it’s a lively precursor to the terrifying Ring-cycle” – Mark Hodgson, Black Hole DVD Reviews

The Frozen Dead

104. (new) The Frozen Dead

Herbert J. Leder

1966 / UK / 95m / BW / Science Fiction | IMDb
Dana Andrews, Anna Palk, Philip Gilbert, Kathleen Breck, Karel Stepanek, Basil Henson, Alan Tilvern, Anne Tirard, Edward Fox, Oliver MacGreevy

“By 1966 a few soft-core exploitation producers had begun to produce crude and offensive movies about sexual torture in concentration camps… Although it isn’t sexually explicit, the Warner Brothers-released The Frozen Dead pushed the borders of rotten taste. The studio thought so much of it that it was released in the U.S. in B&W prints. We didn’t see it in color until it showed up on local television a decade later… Murky moral back-issues aside, The Frozen Dead is a likeable hoot with a number of graces (its jolly disregard for good taste) and flaws (clumsily written characters). And if I’m not mistaken, the film neglects to account for one major Nazi character, who simply disappears in the last reel.” – Glenn Erickson, DVD Savant

The Bells

105. (+30) The Bells

James Young

1926 / USA / 68m / BW / Thriller | IMDb
Lionel Barrymore, Caroline Frances Cooke, Gustav von Seyffertitz, Lorimer Johnston, Eddie Phillips, Lola Todd, Laura La Varnie, Boris Karloff, E. Alyn Warren

The Terror

106. (+15) The Terror

Roy Del Ruth

1928 / USA / 85m / BW / Mystery | IMDb
May McAvoy, Louise Fazenda, Edward Everett Horton, Alec B. Francis, Matthew Betz, Holmes Herbert, Otto Hoffman, Joseph W. Girard, John Miljan, Frank Austin

“The first talkie horror film was also the second ‘all-talking’ motion picture from Warner Bros — director Roy Del Ruth’s The Terror (1928), a stage-bound adaptation of Edgar Wallace’s play regarding a haunted house terrorized by a homicidal asylum escapee. The film’s many ads capitalized on the new feature of sound (creaking doors, howling wind, organ music), heard with the Vitaphone sound-on-disc process: “It will thrill you! Grip you! Set you into tremors of awe. HEAR this creepy tale of mystery – the baffling story of a detective’s great triumph. With voices and shadows that will rack your nerves and make you like it. Come, hear them talk in this Vitaphone production of the play that has gripped London for over 3 years.”” – Tim Dirks, AMC FilmSite

El fantasma del convento

107. (+23) El fantasma del convento

Fernando de Fuentes

1934 / Mexico / 85m / BW / Haunted House | IMDb
Enrique del Campo, Marta Roel, Carlos Villatoro, Paco Martínez, Victorio Blanco, Francisco Lugo, Beltrán de Heredia, Agustín González, José Ignacio Rocha

“As so many other horror films are, El fantasma del convento is essentially a morality tale. Adulterous couple Cristina (Roel) and Alfonso (del Campo) become lost one night while attempting to find a good make out spot. Enter a bizarre guide of sorts – is it ever wise to follow a stranger in a horror film? – who leads the pair to a foreboding monastery… don’t let a little predictability deter you from seeing this beautifully shot and eerie film. For those of you who are fans of Matthew Lewis’ 1796 horror novel, The Monk, you will certainly see the book’s influence in the film.” – Geoff Fogleman, Bloody Disgusting

Santo en El tesoro de Drácula

108. (new) Santo en El tesoro de Drácula

René Cardona

1969 / Mexico / 81m / Col / Vampire | IMDb
Santo, Aldo Monti, Noelia Noel, Roberto G. Rivera, Carlos Agostí, Alberto Rojas, Pili González, Jorge Mondragón, Gina Morett, Fernando Mendoza

“While EL VAMPIRO Y EL SEXO is certainly entertaining, it suffers from a pronounced lack of Santo, who appears in less than ten minutes of the first half of the movie. The reason is clear: Santo (the real Santo) refused to appear in any erotic scenes… If it were just a few topless women, that would be unusually frank enough for a Santo adventure, but the erotic content also includes full nudity and much breast kissing by Dracula (I think we found his fetish). Strangely, despite the sexual material, director Rene Cardona (NIGHT OF THE BLOODY APES) refrains from showing even a drop of blood.” – Marty McKee, Johnny LaRue’s Crane Shot


109. (+20) Gidam

Beom-sik Jeong & Sik Jung

2007 / South Korea / 98m / Col / Psychological | IMDb
Choi Jae-Hwan, Mu-song Jeon, Jin-an Jeong, Ku Jin, Bo-kyeong Kim, Eung-soo Kim, Tae-woo Kim, Ju-yeon Ko, Ho-seok Kong, Dong-kyu Lee


110. (+15) Haunts

Herb Freed

1977 / USA / 97m / Col / Slasher | IMDb
May Britt, Cameron Mitchell, Aldo Ray, William Gray Espy, Ben Hammer, E.J. André, Kendall Jackson, Susan Nohr, Robert Hippard, Don Dolan

“As soon as I saw the blank black screen, emulsion lines, and scratches, I knew Haunts was going to be good… With a combination of tame-yet-uncomfortable subject matter (no gore, no nudity, no explicit sex) and capable filmmaking from Herb Freed (Graduation Day), Haunts kicked out its low-budget limitations for world class uneasiness. The tight editing, quiet atmosphere, and “real” acting (most people seem to be playing themselves), worked in tandem with the grittiness of the film stock; a nice example of the whole slightly inching above the sum. I could’ve done without some of the padding, as the film tended to drag a bit towards the end, but overall, I was surprisingly taken. And a little scared.” – Joseph A. Ziemba, Bleeding Skull!

Night Must Fall

111. (new) Night Must Fall

Karel Reisz

1964 / UK / 101m / BW / Psychological | IMDb
Albert Finney, Mona Washbourne, Susan Hampshire, Sheila Hancock, Michael Medwin, Joe Gladwin, Martin Wyldeck, John Gill

“The psychological thriller, about a murderous psychopath who descends upon a country estate, began life in 1935 as a stage play by Emlyn Williams… Perhaps the thing that was most repulsive to audiences who saw this horrifying opening after Tom Jones is that Finney bounces around with an enthusiasm similar to that character, but with all the warmth drained away. It was as if Jones had turned on them, all his happy wrinkles pressed into cold, emotionless flesh. Finney has Danny speak like a deranged ventriloquist’s dummy, using his familiar staccato delivery to horrifying effect. He seems possessed, and the scary thing about it is that just about everyone around him thinks it’s hilarious.” – Kendahl Cruver, A Classic Movie Blog

Theatre of Death

112. (new) Theatre of Death

Samuel Gallu

1967 / UK / 91m / Col / Mystery | IMDb
Christopher Lee, Julian Glover, Lelia Goldoni, Jenny Till, Evelyn Laye, Ivor Dean, Joseph Fürst, Betty Woolfe, Leslie Handford, Fraser Kerr

“Amalgamating aspects of Phantom of the Opera (a shadowy figure skulking behind the scenes of a theatre production), typical vampire movie traits (victims found drained of blood) and the slightest hints of possession movie conventions (hypnotism, meddling with the past), Theatre of Blood is always intriguing though at times feels a little haphazard. Gallu imbues proceedings with deliciously Gothic flourishes such as secret passages behind bookcases, eviiiiil hypnotists, damsels in distress, individuals dogged by their past, hooded killers, grisly murders and the creepy theatre setting itself. There are also a few creaky clichés, including portraits with spy-holes in the eyes and cobwebby dungeons beneath the titular venue, but they only add to the film’s spooky charm.” – James Gracey, Behind the Couch

El hombre y el monstruo

113. (-19) El hombre y el monstruo

Rafael Baledón

1959 / Mexico / 78m / BW / Werewolf | IMDb
Enrique Rambal, Abel Salazar, Martha Roth, Ofelia Guilmáin, Ana Laura Baledon, José Chávez, Maricarmen Vela, Carlos Suárez, Anita Blanch

It's in the Blood

114. (new) It’s in the Blood

Scooter Downey

2012 / USA / 81m / Col / Thriller | IMDb
Lance Henriksen, Sean Elliot, Rose Sirna, Jimmy Gonzales, Doran Ingram, Andrew Varenhorst, Cameron Wofford, Cassie Kinchen, Dog, Larry Jack Dotson

Vec vidjeno

115. (-19) Vec vidjeno

Goran Markovic

1987 / Yugoslavia / 102m / Col / Psychological | IMDb
Mustafa Nadarevic, Anica Dobra, Milorad Mandic, Bogdan Diklic, Dusan Kostovski, Gordana Gadzic, Vladimir Jevtovic, Petar Bozovic, Mihajlo-Bata Paskaljevic

“Along with ANGST (1983) and HENRY: PORTRAIT OF A SERIAL KILLER (1986), this is one of the 80’s most effective attempts at looking at a psychopathic killer through more insightful eyes. You won’t find loads of on-screen gore here, nor will you find reactionary scares or visual shocks in the expected slasher-killer frequency. This is a deliberately-paced portrait of a deranged mind that builds slowly as a character-driven drama before suddenly erupting into violence when it nears its disturbing conclusion. Another point of interest, aside from revelatory performances from several actors I’d never even heard of before, is a plot that manages to give viewers glimpses inside the political and social climate of Belgrade in both the pre and post WWII-era and the impoverished, though more liberated, early ’70s era.” – Justin McKinney, The Bloody Pit of Horror

Yuan Zhen-Xia yu Wei Si-Li

116. (new) Yuan Zhen-Xia yu Wei Si-Li

Ngai Choi Lam

1986 / Hong Kong / 78m / Col / Supernatural | IMDb
Ken Boyle, Bing-Chuen Cheung, Maggie Cheung, Siu-Ho Chin, Yuen Chor, Yun-Fat Chow, Joyce Godenzi, Shu-Yuan Hsu, Sibelle Hu, Kara Hui

The Four Skulls of Jonathan Drake

117. (+25) The Four Skulls of Jonathan Drake

Edward L. Cahn

1959 / USA / 70m / BW / Supernatural | IMDb
Eduard Franz, Valerie French, Grant Richards, Henry Daniell, Lumsden Hare, Frank Gerstle, Paul Wexler, Howard Wendell, Paul Cavanagh

“THE FOUR SKULLS OF JONATHAN DRAKE is a real cheapie with soundstage-bound sets (the whole show takes place in two different darkly lit houses), but a moody, creepy little thriller at that. Somewhat resembling a 1950s William Castle effort (especially a sequence with four floating skulls) veteran workman director Edward L. Cahn is able to cram enough thrills into 70 minutes, and the cast does a decent job with the material. Wrinkly Daniell makes a really creepy villain, and as a witch doctor, is able to perform some nasty things (the head shrinking is pretty graphic for the time) in his dungeon-like basement.” – George R. Reis, DVD Drive-In

Knives and Skin

118. (new) Knives and Skin

Jennifer Reeder

2019 / USA / 111m / Col / Mystery | IMDb
Kate Arrington, Tim Hopper, James Vincent Meredith, Marika Engelhardt, Tony Fitzpatrick, Audrey Francis, Marilyn Dodds Frank, Grace Smith, Ty Olwin, Alex Moss

O Estranho Mundo de Zé do Caixío

119. (-40) O Estranho Mundo de Zé do Caixío

José Mojica Marins

1968 / Brazil / 80m / Col / Anthology | IMDb
Luís Sérgio Person, Vany Miller, Mário Lima, Verônica Krimann, Rosalvo Caçador, Paula Ramos, Tony Cardi, Esmeralda Ruchel, Messias de Melo, Leila de Oliveira

Necronomicon - Geträumte Sünden

120. (+27) Necronomicon – Geträumte Sünden

Jesús Franco

1967 / West Germany / 84m / Col / Surrealism | IMDb
Janine Reynaud, Jack Taylor, Adrian Hoven, Howard Vernon, Nathalie Nort, Michel Lemoine, Pier A. Caminnecci, Américo Coimbra, Lina De Wolf, Eva Brauner

“Elegantly photographed, intelligently edited, and filled with mesmerising performances, “Succubus” gives us a taste of just what Franco is capable of when blessed with a professional crew and cast — the direction is superlative; the script (co-written by Franco with the film’s producer [who also acts in the film], Pier A. Caminnecci), is a complex amalgamation of surreal scenarios suffused with allusions to classic literature and Franco’s favourite film-makers (everyone from Kafka to Frankenstein). The musical score ranges from cocktail lounge jazz to classical — often blended seamlessly. It’s ahead of its time, predating Mario Bava’s equally classy “Lisa and The Devil” (1973), and even looking ahead to contemporary works such as David Lynch’s “Mulholland Drive” (2002).” – Blackgloves, Horrorview

Luther the Geek

121. (+11) Luther the Geek

Carlton J. Albright

1990 / USA / 80m / Col / Splatter | IMDb
Edward Terry, Joan Roth, Stacy Haiduk, Thomas Mills, Jerry Clarke, Tom Brittingham, Carlton Williams, ‘Chicken’ Klabunde, Gil Rogers, Karen Maurise

“A geek, as defined in “Luther the Geek,” is a disturbed carnival sideshow performer who bites the heads off snakes and chickens, usually for a reward that helps to calm urges of alcoholism and drug addiction… [the film] plays around with the nightmarish vocation, transporting a Depression-era celebration of the macabre to a slightly more modern setting, with writer/director Carlton J. Albright creating a slasher-type event with a truly disturbing murderer. It’s a weird movie, but one that owns its strangeness through a commitment to character and unusual encounters between the (clucking) hunter and his understandably confused prey.” – Brian Orndorf,

Fear Chamber

122. (new) Fear Chamber

Jack Hill & Juan Ibáñez

1968 / USA / 88m / Col / Science Fiction | IMDb
Boris Karloff, Julissa, Carlos East, Isela Vega, Yerye Beirute, Eva Muller, Santanón, Pamela Rosas, Fuensanta, Sandra Chávez

“Fear Chamber was on one of Karloff’s last films. It’s one of four Mexican cheapies he was contracted to shoot but due to his frailness he had all his scenes shot in California in a few weeks. He died in 1969 but this film was not released until 1972. He’s bed ridden, in a wheelchair or behind a desk in nearly every scene. Despite all this he’s still easily the most charismatic actor in the whole film… At its heart it’s a fun movie that takes itself a bit too seriously near the end. There’s only so much heartfelt technobabble you can throw out to try and wrap up your story. Not that it really has much of an end. So if you like your weak veneer of science-fiction over a little bloodletting and sleaze this might be the perfect movie for you.” – Glitter Godzilla, Outpost Zeta

House of the Black Death

123. (-42) House of the Black Death

Harold Daniels

1965 / USA / 89m / BW / Supernatural | IMDb
Lon Chaney Jr., John Carradine, Andrea King, Tom Drake, Dolores Faith, Sabrina, Jerome Thor, Sherwood Keith, Catherine Petty, George Mitchell

El retorno de Walpurgis

124. (new) El retorno de Walpurgis

Carlos Aured

1973 / Spain / 73m / Col / Werewolf | IMDb
Paul Naschy, Fabiola Falcón, Mariano Vidal Molina, Maritza Olivares, José Manuel Martín, María Silva, Elsa Zabala, Eduardo Calvo, Ana Farra, Fernando Sánchez Polack

El esqueleto de la señora Morales

125. (new) El esqueleto de la señora Morales

Rogelio A. González

1960 / Mexico / 92m / Col / Black Comedy | IMDb
Arturo de Córdova, Amparo Rivelles, Elda Peralta, Guillermo Orea, Rosenda Monteros, Luis Aragón, Mercedes Pascual, Antonio Bravo, Angelines Fernández, Armando Arriola

“Mexican cinema embraces black comedy in this engaging domestic thriller about a sincere husband who becomes an unrepentant murderer. Luis Alcoriza, the writer of most of Luis Buñuel’s Mexican films, lightens the macabre subject with a comic tone similar to that of the then-current Alfred Hitchcock Presents TV show. A mocking critique of false piety, The Skeleton of Mrs. Morales thumbs its nose at the conventions of ‘respectable’ Mexican film fare… Good performances add to the air of perversity.” – Glenn Erickson, DVD Talk

The Velvet Vampire

126. (-87) The Velvet Vampire

Stephanie Rothman

1971 / UK / 80m / Col / Vampire | IMDb
Michael Blodgett, Sherry Miles, Celeste Yarnall, Gene Shane, Jerry Daniels, Sandy Ward, Paul Prokop, Chris Woodley, Robert Tessier

“Given the genre (horror) and the budget (extremely low), it may seem perverse to say that Stephanie Rothman’s 1971 film is among the best women’s films ever made, but so it is—a highly intelligent, deftly poetic reimagining of the vampire myth, with the theme of fatal sexuality transferred to a female character. The vampire is neither an aggressor nor a seductress, but an abstract figure of polymorphous sensuality: her “victims” choose her, and they range from a would-be rapist to a liberated (and wittily parodied) southern California couple.” – Dave Kehr, Chicago Reader

The Redeemer: Son of Satan!

127. (new) The Redeemer: Son of Satan!

Constantine S. Gochis

1978 / USA / 84m / Col / Slasher | IMDb
Damien Knight, Jeannetta Arnette, Nick Carter, Nikki Barthen, Michael Hollingsworth, Gyr Patterson, T.G. Finkbinder, Christopher Flint, Richard Timmins, Jessica Bein

Homunculus, 1. Teil

128. (new) Homunculus, 1. Teil

Otto Rippert

1916 / Germany / 69m / BW / Science Fiction | IMDb
Olaf Fønss, Ernst Ludwig, Adolf Paul, Albert Paul, Lore Rückert, Max Ruhbeck, Lia Borré, Friedrich Kühne, Theodor Loos, Mechthildis Thein

“A huge success upon its release, this German 1916 6-part epic film series follows the exploits of the soulless supervillain Homunculus, a creature created by science, as he wows to find love or destroy humanity. Robert Reinert’s multi-layered script draws on Frankenstein and Faust, as well as Freud, Nietzsche and Marx to create both a treatise on the human condition as well as a comment on WWI. While scarcely shown outside Germany before 1920, it turned lead actor Olaf Fønss into a matinée idol and even influenced fashion… [Fønss’ cape and hat costume] became popular with the urban dandy in Germany.” – Janne Wass, Scifist


129. (-7) Escalofrío

Carlos Puerto

1978 / Spain / 82m / Col / Supernatural | IMDb
Ángel Aranda, Sandra Alberti, Mariana Karr, José María Guillén, Manuel Pereiro, Luis Barboo, José Pagán, Isidro Luengo, Ascensión Moreno, Carlos Castellano

“Asking us to enjoy the very elements that it uses to set us at unease, its cannibal witches may be disguised as scantly clad seductresses and shadows from a murky past but they’re out to eat you just the same – your spirit, your sanity, your sense of identity. At the same time, its subversive story, careful direction, and commendable performances make it an unflinching expose of corruption – breakdowns of mind, and spirit reflected by ravishments of the flesh. While gothic in atmosphere, even approaching the surreal in terms of its lush, decrepit setting, a lurking sense of brutality throbs beneath the surface of even the quieter moments in this movie, the suggestion of suspense throbbing beneath even the most innocent dialogue and character development. Undeniably surreal, intensely sexual, and unsettlingly beautiful in its depiction of practices and behaviors that should make us queasy, Puerto exhibits an impressive ability to make the terrible desirable and the repulsive seductive.” – William P. Simmons, DVD Drive-In

The Boogie Man Will Get You

130. (-23) The Boogie Man Will Get You

Lew Landers

1942 / USA / 66m / BW / Comedy | IMDb
Boris Karloff, Peter Lorre, Max ‘Slapsie Maxie’ Rosenbloom, Larry Parks, Jeff Donnell

Cathy's Curse

131. (new) Cathy’s Curse

Eddy Matalon

1977 / France / 88m / Col / Supernatural | IMDb
Alan Scarfe, Beverly Murray, Randi Allen, Dorothy Davis, Mary Morter, Roy Witham, Bryce Allen, Sonny Forbes, Robert V. Girolami, Renée Girard

“Seemingly operating [on] a plane of existence and basic logic far removed from our own, Cathy’s Curse remains one of the craziest entries in the decade’s run of sinister kid movies… and one that actually rewards repeated viewings once you’ve fallen under its crackpot spell… Filled with charmingly low-rent special effects and some of the most unintentionally amusing profanity of the ’70s, Cathy’s Curse is a truly special film if you’re in the right mood. Almost a work of pure surrealism in its refusal to adhere to any kind of rational character development or plotting, it’s a dizzy cash-in on seemingly every supernatural hit from the past five years thrown into a blender with no discernible rhyme or reason. As a result, it’s kind of brilliant.” – Nathaniel Thompson, Mondo Digital

Di yu wu men

132. (-16) Di yu wu men

Hark Tsui

1980 / Hong Kong / 90m / Col / Martial Arts | IMDb
Norman Chu, Eddy Ko, Melvin Wong, Kwok Choi Hon, Mo-lin Cheung, Fung Fung, Chih Hung Ling, Tin Sang Lung, Kei Mai, Yung-sheng Pan

Schatten - Eine nächtliche Halluzination

133. (-19) Schatten – Eine nächtliche Halluzination

Arthur Robison

1923 / Germany / 90m / BW / Drama | IMDb
Alexander Granach, Max Gülstorff, Lilli Herder, Rudolf Klein-Rogge, Fritz Kortner, Karl Platen, Fritz Rasp, Eugen Rex, Ferdinand von Alten, Gustav von Wangenheim

Zhong gui

134. (new) Zhong gui

Chuan Yang

1983 / Hong Kong / 88m / Col / Supernatural | IMDb
Norman Chu, Phillip Ko, Maria Jo, Yung Wang, Mi Tien, Kar-Man Wai, Hsin Nan Hung, Man-Biu Bak, Ling-Chi Fu, Erik Chan Ka Kei

“The crowning ghoulish jewel in the recent wave of Shaw Brothers horror releases is undoubtedly the notorious, long sought after Seeding of a Ghost… Without wishing to spoil too many of the gruesome surprises in store, it’s fair to say that Seeding of a Ghost pretty much has it all, from grave robbing, corpse kissing, worm vomiting, and brain eating through to the decidedly inappropriate use of an oversized matchstick. However, such delights pale in comparison to the frankly insane final bloodbath, which is worth the price of admission on its own, and which is a guaranteed eye opener even for the most jaded fan of the black magic subgenre.” – Andrew Heskins,

Il castello dei morti vivi

135. (new) Il castello dei morti vivi

Warren Kiefer

1964 / Italy / 90m / BW / Gothic | IMDb
Christopher Lee, Gaia Germani, Philippe Leroy, Mirko Valentin, Donald Sutherland, Renato Terra, Antonio De Martino, Luciano Pigozzi, Ennio Antonelli, Jacques Stany

“LIVING DEAD isn’t the best of Lee’s contributions to the Italian Gothic cycle (that would be THE WHIP AND THE BODY), but its fascinating backstory, confusion over exactly who directed it, and that it features the film debut of an unknown Donald Sutherland in two roles… have combined to keep its cult status going for nearly 50 years… Utilizing black & white, [writer/director] Kiefer and cinematographer Aldo Tonti have a nice Gothic look to the whole thing, filled with ominous shadows and howling winds… There’s one incredibly striking shot late in the film that ranks with the macabre best of Bava: the discovery of the corpse of Drago’s late wife, propped up in bed, perfectly still, head positioned toward a handheld mirror in her right hand as if frozen in time, admiring her own beauty for all eternity.” – Mark Tinta, Good Efficient Butchery

Cementerio del terror

136. (-26) Cementerio del terror

Rubén Galindo Jr.

1985 / Mexico / 88m / Col / Zombie | IMDb
Hugo Stiglitz, José Gómez Parcero, Bety Robles, Leo Villanueva, Raúl Meraz, René Cardona III, Servando Manzetti, Andrés García Jr., María Rebeca

“A strange sort of cross between John Carpenter’s Halloween (what with the unstoppable killing machine and the obsessed doctor on his trail) and Bob Clarke’s Children Shouldn’t Play With Dead Things (with the dopey teens, the black mass, and the zombies), Ruben Galindo Jr.’s Cemetery Of Terror is a reasonably well paced horror film with some nice atmosphere, some cool locations, and towards the end of the movie, some nice zombie action. It’s also very much a product of the eighties and as such, it’s pretty dated… Stiglitz is fun in the lead role and while he’ll never be considered a great actor by any stretch he does a good job playing the obsessed doctor and seems to have no problem hamming it up when the script requires it. The rest of the cast is pretty awful, but it adds to the fun of the film” – Ian Jane, DVD Talk

Three Cases of Murder

137. (-29) Three Cases of Murder

David Eady & George More O’Ferrall & Wendy Toye & Orson Welles

1955 / UK / 99m / BW / Anthology | IMDb
Orson Welles, John Gregson, Elizabeth Sellars, Emrys Jones, Alan Badel, André Morell, Hugh Pryse, Leueen MacGrath, Eddie Byrne, Helen Cherry

“This unusual British film seems to have gone relatively unnoticed by numerous horror film historians and if it does warrant a mention it’s usually dismissed without much afterthought. But with a cast that includes Orson Welles and a segment directed by one of Britain’s first female directors (Wendy Toye), THREE CASES OF MURDER stands out as a wonderful example of early British horror cinema that rivals the highly acclaimed anthology DEAD OF NIGHT (1945)… George More O’Ferrall supposedly directed [the third] segment but in Peter Bogdanovich‘s acclaimed book This Is Orson Welles he credits Welles with co-directing the dream sequences and I have no reason to doubt him.” – Kimberly Lindbergs, TCM’s Movie Morlocks

The Magician

138. (+8) The Magician

Rex Ingram

1926 / USA / 83m / BW / Fantasy | IMDb
Alice Terry, Paul Wegener, Iván Petrovich, Firmin Gémier, Gladys Hamer, Henry Wilson, Hubert I. Stowitts

“Mr. Ingram again shows his genius in bolstering up the interest in scenes by his imagination and his keen attention to detail. The accuracy of the little ideas in this film is enough to make one marvel. One appreciates that a story might be dull and ordinary, but in Mr. Ingram’s hands it appears on the screen with subtlety, polish and spark. Except the setting of the Sorcerer’s Castle, everything in this picture is exactly as it should be… There are sequences that are so diverting that they make a short story in themselves… Paul Wegener, with good make-up, gives a restrained but thoroughly effective performance as the blood-hunting Dr. Haddo.” – Mordaunt Hall, New York Times


139. (-54) Soulmate

Axelle Carolyn

2013 / UK / 104m / Col / Romance | IMDb
Anna Walton, Tom Wisdom, Tanya Myers, Nick Brimble, Emma Cleasby, Guy Armitage, Rebecca Kiser, Amelia Tyler, Felix Coles, Anubis

Violent Shit

140. (new) Violent Shit

Andreas Schnaas

1989 / West Germany / 75m / Col / Splatter | IMDb
Andreas Schnaas, Gabi Bäzner, Wolfgang Hinz, Volker Mechter, Christian Biallas, Uwe Boldt, Marco Hegele, Lars Warncke, Werner Knifke, Bettina X.

Home for the Holidays

141. (-17) Home for the Holidays

John Llewellyn Moxey

1972 / USA / 73m / Col / Slasher | IMDb
Jessica Walter, Sally Field, Jill Haworth, Julie Harris, Eleanor Parker, Walter Brennan, John Fink, Med Flory

Purana Mandir

142. (new) Purana Mandir

Shyam Ramsay & Tulsi Ramsay

1984 / India / 144m / Col / Supernatural | IMDb
Mohnish Bahl, Arti Gupta, Puneet Issar, Sadashiv Amrapurkar, Ajay Agarwal, Sadhana Khote, Satish Shah, Trilok Kapoor, Dr. Satish Chopra, Rajendra Nath

“It’s fun, fast-paced (whenever it kicks into gear) and even exciting in spots. Many of the horror sequences are also pretty stellar. They’re not only edited, lit, photographed and scored in a rather inventive, off-kilter fashion, but the special effects makeup is pretty good and many of the locations used, as well as the art direction and use of both colorful lighting and lots of fog, ensure they’re also extremely atmospheric. There’s plenty of blood and gore, the design of the hairy demon creature is great and echoes of numerous American, British, Italian and Hong Kong horror movies are felt throughout.” – Justin McKinney, The Bloody Pit of Horror


143. (new) Mom

Patrick Rand

1991 / USA / 95m / Col / Comedy | IMDb
Mark Thomas Miller, Jeanne Bates, Brion James, Mary Beth McDonough, Art Evans, Stella Stevens, Claudia Christian, Maray Ayres, Christopher Doyle, Tim Trella

“Had it not been for the morbid and dour ending, this might have been a pretty sweet piece of horror comedy. The idea of the nice sweet granny turning into a flesh eating monster is fantastic, and the interplay between her and her son made for some pretty funny scenes… If you’re into 80s/90s low-budget horror, this has the feel you’re looking for, just not finish. Further on that theme of 80s/90s low-budget, Mom had me feeling nostalgic. It really has that video store find vibe to it, the 6th or 7th grade sleepover party pick-up, best enjoyed with some junk food and soda.” – Matt, Direct to Video Connoisseur

Kowai onna

144. (-4) Kowai onna

Keita Amemiya & Takuji Suzuki & Keisuke Toyoshima

2006 / Japan / 107m / Col / Anthology | IMDb
Noriko Nakagoshi, Yûko Kobayashi, Riko Suzuki, Miharu Morina, Yayoi Okuyama, Kaori Fuseya, Aiko Chisaka, Hisayo Ebine, Atsuko Abe, Harumi Yazawa


145. (new) Celia

Ann Turner

1989 / Australia / 102m / Col / Psychological | IMDb
Rebecca Smart, Nicholas Eadie, Victoria Longley, Mary-Anne Fahey, Margaret Ricketts, Alexander Hutchinson, Adrian Mitchell, Callie Gray, Martin Sharman, Clair Couttie

El extraño caso del hombre y la bestia

146. (new) El extraño caso del hombre y la bestia

Mario Soffici

1951 / Argentina / 80m / BW / Science Fiction | IMDb
Martha Atoche, Ana María Campoy, José Cibrián, Rodolfo Crespi, Diana de Córdoba, Rafael Diserio, Gloria Ferrandiz, Rafael Frontaura, Panchito Lombard, Federico Mansilla

La maison ensorcelée

147. (new) La maison ensorcelée

Segundo de Chomón

1908 / France / 6m / BW / Haunted House | IMDb

“Spanish Gothic cinema starts with the films of the pioneering Segundo de Chomón, a figure comparable to that of Georges Méliès from the point of view of his cinematic output (allegedly over 500 short, silent trick films)… Chomón’s early films are interesting because, while they do not aim to scare, rather to amuse and sometimes to incite laughter, they are evidence that the visual language of the Gothic was well-known to Spanish filmmakers even before German expressionism… De Chomón’s phantasmagorias are a product are a product of cultural assimilation and cinematic adaptation of a literary language that was well-established by the late-nineteenth century and which found a workable model in collaborations between national and international film companies.” – Xavier Aldana Reyes, Spanish Gothic: National Identity, Collaboration and Cultural Adaptation


148. (new) Abby

William Girdler

1974 / UK / 89m / Col / Supernatural | IMDb
William Marshall, Terry Carter, Austin Stoker, Carol Speed, Juanita Moore, Charles Kissinger, Elliott Moffitt, Nathan Cook, Nancy Lee Owens, William P. Bradford

“This film undoubtedly rides the coattails of The Exorcist… [but] there is some new, intriguing ground broken by setting the possession not only in a minister’s family, but also in a black family — given the prominent role that religion plays within the African-American community. Still, the big draw is seeing a prim and proper church lady grope and drop the MF bomb on unsuspecting parishioners, and in that respect, Abby delivers. It’s also genuinely creepy at times, thanks to the thunderous audio filled with guttural groans and demonic voices. It’s solid entertainment that deserves a wider audience” –

Silent Night, Zombie Night

149. (-26) Silent Night, Zombie Night

Sean Cain

2009 / USA / 83m / Col / Zombie | IMDb
Jack Forcinito, Andy Hopper, Nadine Stenovitch, Lew Temple, Vernon Wells, Felissa Rose, Timothy Muskatell, Luke Y. Thompson, Sara Tomko, Ricardo Gray

Khun krabii hiiroh

150. (0) Khun krabii hiiroh

Taweewat Wantha

2004 / Thailand / 95m / Col / Zombie | IMDb
Suthep Po-ngam, Supakorn Kitsuwon, Phintusuda Tunphairao, Lena Christensen, Andrew Biggs, Naowarat Yuktanan, Somlek Sakdikul, Peud Blackcat, Chatchai Doroman, Kittikorn Liasirikun