"An Australian horror picture in the tradition of New French Extremism, Sean Byrne's The Loved Ones adheres to the principle that if you delve into full-tilt repulsiveness wholly enough, the rest will just sort of take care of itself. You could call it "torture porn," as many critics have since it was released in its native Australia two years ago, but then this isn't exactly Hostel either; its tone is too light, its manner too cavalier, to be bogged down by the kind of portentous posturing that made Eli Roth's film reek of self-importance. Byrne, a first-time director, has a lot of fun with what is essentially rote slasher material, endowing it with the kind of blackly comic wit and levity that virtually guarantee its entry into the contemporary midnight-movie canon." - Calum Marsh, Slant Magazine