"Taking a page out of Whannell's previous feature, 2018's Upgrade, The Invisible Man is full of lean and economical choices. Like its suspenseful opening scene, the film speaks volumes with its absences and omissions, perhaps even more so than what's portrayed on screen. Whannell and cinematographer Stefan Duscio are particularly adept at weaponizing negative space and silence - empty chairs, vacant hallways, and quiet lulls instill a deeply frightening paranoia, sold even further by a powerhouse performance from Elisabeth Moss. As Cecilia, Moss sells a palpable fear not of an invisible monster, but of the all-too-real specter of domestic abuse." - Jeffrey Zhang, Strange Harbors