"While DaCosta ably toys with the usual genre trappings — jump scares, things that go bump in the night, eye-popping gore — the filmmaker, directing only her second feature, effectively adds unexpectedly artful touches. Rife with reflective surfaces, DaCosta cleverly uses every mirror, sparkling window, even a particularly ill-fated compact mirror to show just as much as she wants, just enough to scare both her audience and her characters (hint: it's usually that goddamn hook). Blood spatters and splotches, even pours down in a dripping sheet, every kill a new way to explore the many ways a human body can be brutalized." - Kate Erbland, IndieWire