"One can't help but think of Roger Corman and his productions of the fifties and sixties when hearing the story of the [sibling writer-directors]... not only have they succeeded in moving the project forward until it is finished, but the result is neat, solid, fearful, atmospheric... it gets to be, at its peaks, as ambiguous and fascinating as Polanski's best (think of films like Rosemary's Baby or The Tenant); and the technical and narrative challenge... of making a film in a single space is carried forward with enough skill to make us believe that this is not Orozco's first film." - Andres Borda Gonzalez, ochoymedio.info [Translated from the Spanish]